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Category Archives: Awards

Short List:

The Tangle by Rae Mariz

This story is an insightful, delightful evocation of the many unseen dimensions and worlds within our own universe.

The Good One by Allanah Hunt

Allanah Hunt’s evocation of the racist structures, values, and attitudes that come at Indigenous Australians daily, is powerful, deeply felt, and insightful.

Spirit Medicine by Gina McGuire

Gina McGuire has crafted a beautiful and heartful story about the complexity of maintaining indigenous healing traditions when crucial plants and practices needed to implement such traditions have been destroyed or compromised by colonialism.

Winner: Alina Pete for Telling the Soul of Mars

In poetic prose, Alina Pete is the sacred storyteller who, like her main character, captures the souls of Mars and Earth. She connects readers to the ancestors and to those we dream of who are yet to come. The story delves deeply into the power of indigenous traditions—of story-making, world building, and the transmission of culture across time and space. Pete speaks to the powerful resilience of Indigenous cultures, sciences, and traditional educational practices, while showing us how those traditions adapt and endure in the face of great challenges. From the first sentence, Pete’s story is a delight to read, full of beauty, wisdom, struggle, and hope. As we face the known and the unknown, as we continue to be at home in a wild and chaotic universe, Pete’s elegant narrative insists on the scared significance of storytelling to our humanity.

The IAFA Imagining Indigenous Futurisms Award recognizes emerging authors who use science fiction to address issues of Indigenous sovereignty and self-determination.

 

 

To be considered for the award, submit the following:

200-word statement with background & goals in writing SF

4,000-word maximum writing sample addressing Indigenous perspectives

Deadline: December 1, 2023

Send your materials as attachments to Professor Grace L. Dillon (dillong@pdx.edu)

Use Word Document or PDF format

Name and Page numbers on story and bio

Double space the story and use 12-point font

Proof the work for typos and other errors.

The contest winner will be announced at the ICFA Awards Banquet and on the Imagining Indigenous Futurisms Facebook page at https://www.facebook.com/groups/349927541693986. Not a member? Think about joining!

This year’s judge: acclaimed author Andrea Hairston

The Master of Poisons https://us.macmillan.com/books/9781250260543

Other Novels:

Will Do Magic for Small Change and Redwood and Wildfire

Published by Aqueduct Press at http://www.aqueductpress.com/

Website: http://www.andreahairston.com

 

Visit the IFF Award Page here: https://iaftfita.wildapricot.org/Imagining-Indigenous-Futurisms-Award/

FOR IMMEDIATE RELEASE

2/7/2023

2023 IAFA Crawford Award and Shortlist Announced

 

The winner of the 2023 Crawford Award, presented annually by the International Association for the Fantastic in the Arts for a first book of fantasy published the prior year, is Simon Jimenez for his novel The Spear Cuts Through Water (Del Rey). Jimenez had previously published a well-received science fiction novel, The Vanished Birds (2020), but The Spear Cuts Through Water is his first fantasy book, making it eligible for the award.

The awards committee also named a shortlist including Maya Deane, Wrath Goddess Sing (William Morrow), Naseem Jamnia, The Bruising of Qilwa (Tachyon), Alex Jennings, The Ballad of Perilous Graves (Redhook), and Jacob Kerr, The Green Man of Eshwood Hall (Serpent’s Tail)

Participating in this year’s nomination and selection process were Cheryl Morgan, Karen Burnham, Niall Harrison, Liza Trombi, Candas Jane Dorsey, and Mimi Mondal. The award is administered by Gary K. Wolfe and will be presented at a banquet March 18, during the 44rd International Conference on the Fantastic in the Arts in Orlando, Florida.

Also at the banquet, the IAFA Distinguished Scholarship Award will be presented to the conference’s guest scholar Isiah Lavender III.  The International Conference on the Fantastic in the Arts, or ICFA, is held annually in Orlando, Florida.  This year’s conference, March 15-18, on the theme of Afrofuturism, will feature Oghenechovwe Donald Ekpeki as Guest of Honor.

The IAFA Imagining Indigenous Futurisms Award recognizes emerging authors who use science fiction to address issues of Indigenous sovereignty and self-determination.

To be considered for the award, submit the following:

200-word statement with background & goals in writing SF

4,000-word maximum writing sample addressing Indigenous perspectives

Deadline: December 1, 2022

Send your materials as attachments to Professor Grace L. Dillon (dillong@pdx.edu)

Use Word Document or PDF format

Name and Page numbers on story and bio

Double space the story and use 12-point font

Proof the work for typos and other errors.

The contest winner will be announced at the ICFA Awards Banquet and on the Imagining Indigenous Futurisms Facebook page at https://www.facebook.com/groups/349927541693986. Not a member? Think about joining!

This year’s judge: acclaimed author Andrea Hairston

The Master of Poisons https://us.macmillan.com/books/9781250260543

Other Novels:

Will Do Magic for Small Change and Redwood and Wildfire

Published by Aqueduct Press at http://www.aqueductpress.com/

Website: http://www.andreahairston.com

For more information about the IAFA Imagining Indigenous Futurisms Award, please visit https://iaftfita.wildapricot.org/Imagining-Indigenous-Futurisms-Award/.

FOR IMMEDIATE RELEASE

2/10/2022

 

2022 IAFA Crawford Award and Shortlist Announced

 

The winner of the 2022 Crawford Award, presented annually by the International Association for the Fantastic in the Arts for a first book of fantasy, is Usman T. Malik for his story collection Midnight Doorways: Fables from Pakistan (Kitab).

The awards committee also named as runners-up E. Lily Yu’s novel On Fragile Waves (Erewhon), and Isabel Yap’s collection Never Have I Ever (Small Beer).

Participating in this year’s nomination and selection process were Cheryl Morgan, Karen Burnham, Graham Sleight, Niall Harrison, Liza Trombi, Candas Jane Dorsey, and Mimi Mondal. The award is administered by Gary K. Wolfe and will be presented at a banquet March 19, during the 43rd International Conference on the Fantastic in the Arts in Orlando, Florida.

Also at the banquet, the IAFA Distinguished Scholarship Award will be presented to the conference’s guest scholar and former IAFA President Farah Mendelsohn.  The International Conference on the Fantastic in the Arts, or ICFA, is held annually in Orlando, Florida.  This year’s conference, March 16-20, on the theme of “Fantastic Communities,” will feature Nisi Shawl as Guest of Honor.

Dear IAFA Community:

It is with great pride and pleasure that the IAFA announces that our own Brian Attebery has won a World Fantasy Award in the category “Special Award – Non-Professional” for his 16 years at the helm of the JFA! On behalf of all of us, congratulations Brian, and thank you for all you’ve done.

Following are his acceptance comments given in absentia:

I’ve always thought that fans and academics are natural allies, but I never expected to have an academic journal considered for a World Fantasy Award. The nomination was in my name, but the Journal of the Fantastic in the Arts is really a collective effort. Credit goes to the IAFA, which sponsors the Journal, to my editorial predecessors, and especially to the team of volunteer workers who have made the Journal into a meeting place for people who are deeply curious about the fantastic in all its forms—what John Clute calls Fantastika. That includes not only the people on the masthead—Associate Editors, Managing Editor Chrissie Mains, and my various Editorial Assistants over the years, but every contributor, everyone who has heard an interesting paper at a conference and suggested to its author that JFA might be a place to publish it, everyone who has served as a peer reviewer, and everyone whose advice I have sought over the last sixteen years. My thanks on their behalf for this recognition from another group who shares our passion.

Dale Knickerbocker
IAFA President

Final Call for Submissions: 2022 Jamie Bishop Memorial Award

The International Association for the Fantastic in the Arts announces its 16th annual Jamie Bishop Memorial Award for a critical essay on the fantastic originally written in a language other than English.

The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines. For more information regarding the Bishop Award and a list of past winners, see https://iaftfita.wildapricot.org/Bishop-award-winners-list .

Submission criteria:

· Essays should be of high scholarly quality, as if for publication in an academic journal.

· We consider essays from 3,000–10,000 words in length (or the equivalent for nonalphabetic languages), including notes and bibliography.

· Essays may be unpublished scholarship submitted by the author, or already published work nominated either by the author or another scholar (in which case the author’s permission should be obtained before submission).

· Essays must have been written and (when applicable) published in the original language within the last three years prior to submission.

· An ABSTRACT in English and an English translation of the essay’s TITLE must accompany all submissions. The submitted essay DOES NOT have to be translated into English.

· Only one essay per designated author(s) may be submitted each year.

· Submissions must be made electronically in .pdf or Microsoft Word format (.doc, .docx), to the email address noted below.

Deadline for receipt of submissions: October 25, 2021. Essays may be submitted prior to the deadline.

The winner of this year’s Bishop Award will be announced at the 43rd International Conference on the Fantastic in the Arts, March 16–20, 2022.

Prize: $250 US and one year’s free membership in the IAFA. Winning essays may be posted on the IAFA website in the original language and/or considered for publication in the Journal of the Fantastic in the Arts (http://www.fantastic-arts.org/jfa/) should they be translated into English.

Please direct all inquiries and submissions to:

Terry Harpold

iafa.bishopaward@fantastic-arts.org

The IAFA Imagining Indigenous Futurisms Award recognizes emerging authors who use science fiction to address issues of Indigenous sovereignty and self-determination.

To be considered for the award, submit the following:

200-word statement with background & goals in writing SF

4,000-word maximum writing sample addressing Indigenous perspectives

Deadline: November 1, 2021

Send your materials as attachments to Professor Grace L. Dillon (dillong@pdx.edu)

Use Word Document or PDF format

Name and Page numbers on story and bio

Double space the story and use 12-point font

Proof the work for typos and other errors.

The contest winner will be announced at the ICFA Awards Banquet and on the Imagining Indigenous Futurisms Facebook page at https://www.facebook.com/groups/349927541693986. Not a member? Think about joining!

This year’s judge: acclaimed author Andrea Hairston

For more information, please visit https://iaftfita.wildapricot.org/Imagining-Indigenous-Futurisms-Award/.

Final Call for Submissions: 2021 Jamie Bishop Memorial Award

The International Association for the Fantastic in the Arts announces its 15th annual Jamie Bishop Memorial Award for a critical essay on the fantastic originally written in a language other than English.

The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines. For more information regarding the Bishop Award and a list of past winners, see https://iaftfita.wildapricot.org/Bishop-award-winners-list .

Submission criteria:

· Essays should be of high scholarly quality, as if for publication in an academic journal.

· We consider essays from 3,000–10,000 words in length (or English equivalent), including notes and bibliography.

· Essays may be unpublished scholarship submitted by the author, or already published work nominated either by the author or another scholar (in which case the author’s permission should be obtained before submission).

· Essays must have been written and (when applicable) published in the original language within the last three years prior to submission.

· An ABSTRACT in English and an English translation of the essay’s TITLE must accompany all submissions. The submitted essay DOES NOT have to be translated into English.

· Only one essay per designated author(s) may be submitted each year.

· Submissions must be made electronically in .pdf or Microsoft Word format (.doc, .docx), to the email address noted below.

Deadline for receipt of submissions: October 15, 2020. Essays may be submitted prior to the deadline.

The winner of this year’s Bishop Award will be announced at the 42nd International Conference on the Fantastic in the Arts, March 17–20, 2021.

Prize: $250 US and one year’s free membership in the IAFA. Winning essays may be posted on the IAFA website in the original language and/or considered for publication in the Journal of the Fantastic in the Arts (http://www.fantastic-arts.org/jfa/) should they be translated into English.

Please direct all inquiries and submissions to:

Terry Harpold

iafa.bishopaward@fantastic-arts.org

Call for Submissions: 2021 Jamie Bishop Memorial Award

The International Association for the Fantastic in the Arts announces its 15th annual Jamie Bishop Memorial Award for a critical essay on the fantastic originally written in a language other than English.

The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines. For more information regarding the Bishop Award and a list of past winners, see https://iaftfita.wildapricot.org/Bishop-award-winners-list .

Submission criteria:

Essays should be of high scholarly quality, as if for publication in an academic journal.
We consider essays from 3,000–10,000 words in length (or English equivalent), including notes and bibliography.
Essays may be unpublished scholarship submitted by the author, or already published work nominated either by the author or another scholar (in which case the author’s permission should be obtained before submission).
Essays must have been written and (when applicable) published in the original language within the last three years prior to submission.
An ABSTRACT in English and an English translation of the essay’s TITLE must accompany all submissions. The submitted essay DOES NOT have to be translated into English.
Only one essay per designated author(s) may be submitted each year.
Submissions must be made electronically in .pdf or Microsoft Word format (.doc, .docx), to the email address noted below.

Deadline for receipt of submissions: October 15, 2020. Essays may be submitted prior to the deadline.

The winner of this year’s Bishop Award will be announced at the 42nd International Conference on the Fantastic in the Arts, to be held in Orlando, Florida (USA) March 17–20, 2021.

Prize: $250 US and one year’s free membership in the IAFA. Winning essays may be posted on the IAFA website in the original language and/or considered for publication in the Journal of the Fantastic in the Arts (http://www.fantastic-arts.org/jfa/) should they be translated into English.

Please direct all inquiries and submissions to:

Terry Harpold

iafa.bishopaward@fantastic-arts.org