Editor’s Introduction

“Introduction: Fantastic Science/Scientific Fantasy”
Brian Attebery

Hidden within the genre term science fiction is a powerful oxymoron. Science isn’t fictional; fiction isn’t science. But of course, science and fiction are indissolubly linked, as are science and fiction’s more extreme extension: fantasy. In 2015 the International Conference on the Fantastic in the Arts was organized around the theme of “The Scientific Imagination.” Imagination is a little less provocative than fiction; a lot less than fantasy, and yet if you look carefully at conference title and conference theme, the apparent paradox is still there, though buffered by capital letters and quotation marks and extra descriptors like “in the Arts.” Guests and participants were implicitly invited to find common ground between observation and deliberate impossibility, between the truths of the physical world and those we seek in stories of the unreal.

Guest of honor James Morrow has always relished contradictions. His fiction is cynical and generous, bleak and optimistic, tragic and wildly funny. He has never been known as a hard science fiction writer: his characters rarely make their way into space, never solve their personal problems by making technological breakthroughs in the manner of a space opera hero. Yet few writers are more dedicated to exploring the scientific imagination: the ways we use science to construct models of reality and the self. In novels such as Towing Jehovah (1994), The Last Witchfinder (2006), and Galápagos Regained (2015), Morrow steers a perilous path between the Scylla of religious belief and the Charybdis of nihilism. He takes on the biggest themes and challenges the master narratives of religion, history, and even science, inviting us to see how each of these is a human construct. I strongly recommend any of his novels as well as his new collection, Reality by Other Means, published by Wesleyan University Press. We are pleased to be able to publish Morrow’s Guest of Honor address, which looks at imaginative literature as a form of philosophical thought experiment, a game of world views. Rather than dividing off the science of Newton and Darwin from the magical worlds of Tolkien or Le Guin, he groups them together as fellow explorers of the world of what Samuel Delany would call subjunctivity: the great “what if.”

Joan Slonczewski is likewise not the typical hard sf writer, not only because her name is Joan rather than John, but also because her science explores the slippery, messy stuff of life rather than the cold equations of celestial mechanics. When I say “her science,” I am speaking literally: Slonczewski is a professor of biology at Kenyon College and co-author of one of the standard microbiology textbooks as well as over half a dozen major sf novels. Her breakthrough book, A Door into Ocean (1986), incorporates not only her professional expertise on genetics but also a feminist challenge to the essentialism of sociobiology and a deep pacificism that grows from Slonczewski’s Quaker background. Slonczewski’s participation at the Conference included an evening reading, hosted by Sherryl Vint, and an interview with Derek J. Thiess. She and Thiess continue their conversation in a follow-up email interview included here.

The third Guest of Honor at the Conference was Colin Milburn, who holds the Gary Snyder Chair in Science and the Humanities at the University of California at Davis, with a joint appointment in the English Department and the Science and Technology Studies Program. Starting with a double PhD at Harvard, in both History of Science and English and American Literature and Language, Milburn is particularly interested in places where C. P. Snow’s famous Two Cultures become one. He has done major work on nanotechnology and its cultural influence and is currently studying computer gaming. His address at the Conference considers games as another sort of Gedankenexperiment and, as he says, as “an exercise in applied science fiction,” a phrase that could also be argued to describe the contemporary world.

The International Conference on the Fantastic in the Arts and its affiliated Association have always made efforts to encourage and recognize the achievements of younger scholars in our field. The 2015 winner of the student award, which as of 2016 is named the David G. Hartwell Emerging Scholar Award, is Taylor Evans, a PhD candidate at the University of California at Riverside. His paper on race, technology, and early science fiction—or, in Hugo Gernsback’s singularly tone-deaf coinage, “scientifiction”—is published here in an expanded and peer-reviewed version. It traces a connection between the pseudo-science of race and the emerging genre, which bought into a broader cultural model of epistemology that, as Evans says, was always “centered on a subject that is implicitly white and male.” Evans’s essay reminds us that the imagination, even the scientific imagination, is never unconstrained. It reproduces the assumptions and blind spots of the society in which it arises.

Finally, Benjamin Robertson’s essay on China Miéville’s genre-challenging novel The Scar looks at standard ways of distinguishing between science fiction and fantasy. The former carries the cognitive stamp of approval and looks to the future; the latter is seen as escapist and retrograde. Yet in much of Miéville’s work and that of other contemporary writers of Fantastika (to use John Clute’s umbrella term), rationality and knowledge are introduced in fantastic, paradigm-breaking ways that challenge us to read the fiction multiply, as participating in two or more genres simultaneously. Furthermore, that double- or manifoldness is a better way of representing reality than the single thread of traditional science fictional narrative—or conventional realism, for that matter. When truly unleashed, the scientific imagination is powerful enough to challenge its own modes of thought. I was sorry not to be at the 2015 Conference in person—professional duties (or, to be honest, a chance to play in a concert with Bela Fleck) kept me away. So it is a double pleasure to put this issue together and experience the gathering virtually.

Articles

Introduction: Fantastic Science/Scientific Fantasy
Brian Attebery

James Morrow: An Introduction, by Kathryn Hume

Playing the Gedanken Game: Some Observations on Scientific and Literary Thought-Experiments
James Morrow

Joan Slonczewski: An Introduction, by Sherryl Vint

Guests in Conversation: An Interview with Joan Slonczewski
Derek J. Thiess

Colin Milburn: An Introduction, by Stina Attebery

Hacking the Scientific Imagination
Colin Milburn

The Technology of Race: White Supremacy and Scientifiction
Taylor Evans

“A place I have never seen”: Possibility, Genre, Politics, and China Miéville’s The Scar
Benjamin J. Robertson

Review Essay

Handling the Handbook
Amy J. Ransom

Reviews

Harlan Wilson’s They Live
Rev. by Tim Bryant

Susan A. George and Regina M. Hansen’s Supernatural, Humanity, and the Soul: On the Highway to Hell and Back
Rev. by D. Felton

Molly Clark Hillard’s Spellbound: The Fairy Tale and the Victorians
Rev. by Regina M. Hansen

Murali Balaji’s Thinking Dead: What the Zombie Apocalypse Means
Rev. by Anya Heise von der Lippe

Karen Burnham’s Greg Egan
Rev. by Chad A. Hines

Lisa A. Nevárez’s The Vampire Goes to College: Essays on Teaching with the Undead
Rev. by Trevor Holmes

Joseph Crawford’s The Twilight of the Gothic?: Vampire Fiction and the Rise of the Paranormal Romance 1991–2012
Rev. by Jeaneen K. Kish

Anne Hiebert Alton and William C. Spruiell’s Discworld and the Disciplines: Critical Approaches to the Terry Pratchett Works
Rev. by Lauren J. Lacey

Rick McGrath’s Deep Ends: The J. G. Ballard Anthology 2014
Rev. by Megan Mandell

Marcus Harmes and Victoria Bladen’s Supernatural and Secular Power in Early Modern England
Rev. by Kristen McDermott

Tara Prescott’s Neil Gaiman in the 21st Century: Essays on the Novels, Children’s Stories, Online Writings, Comics, and Other Works
Rev. by Jennifer L. Miller

Alexandra Urakova’s Deciphering Poe: Subtexts, Context, Subversive Meanings
Rev. by Cristina Pérez Arranz

Judith B. Kerman and John Edgar Browning’s The Fantastic in Holocaust Literature and Film: Critical Perspectives
Rev. by Vibeke Rützou Petersen

David Roas and Teresa López Pellisa’s Visiones de lo fantástico en la cultura española (1970–2012) [Visions of the fantastic in Spanish culture, 1970–2012]
Rev. by Dale J. Pratt

Roger Bozzetto’s Mondes fantastiques et réalités de l’imaginaire [Fantastic Worlds and Realities of the Imaginary]
Rev. by Amy J. Ransom

Xavier Aldana Reyes’s Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film
Rev. by Brittany Roberts

Michelle Ann Abate’s Bloody Murder: The Homicide Tradition in Children’s Literature
Rev. by M. Tyler Sasser

Nadine Farghaly’s Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films & Dawn Keetley’s “We’re all Infected”: Essays on AMC’s The Walking Dead and the Fate of the Human
Rev. by Lars Schmeink

Tomislav Longinovic’s Vampires Over the Ages: A Cultural Analysis of Scientific, Literary, and Cinematic Representations
Rev. by Carol Senf

Suparna Banerjee’s Science, Gender and History: The Fantastic in Mary Shelley and Margaret Atwood
Rev. by Catherine Siemann

JFA 32.3 (2021)

Introduction: But Why Does It Have to Be Political?

Brian Attebery

I recently taught a course in young adult literature in which I deliberately challenged myself to represent the current state of the field. That meant no Little Women or Kim or The Secret Garden: old favorites that I still think students should read. Instead, I picked a set of books that were no more than a decade old, with some dating from the past year. Here’s the list:

• Patrick Ness, The Rest of Us Just Live Here
• Stephen Graham Jones, Mongrels
• Benjamin Alire Sáenz, Aristotle and Dante Discover the Secrets of the Universe
• Libba Bray, Beauty Queens
• Elizabeth Acevedo, The Poet X
• Aiden Thomas, Cemetery Boys
• Tomi Adeyemi, Children of Blood and Bone
• Eric Gansworth, Apple (Skin to the Core)

Of these, I had only read three and previously taught two. They represent a number of genres—or subgenres, if we count Young Adult as a genre. Three are overt fantasy (Ness, Thomas, Adeyemi), or maybe four or five if we classify horror (Graham Jones) and surreal satire (Bray) as fantasy. Most have won awards or strong commendations; indeed, I was dreading reading some because they seemed a little too worthy, too timely and sincere. But by the time my students and I immersed ourselves in each, we were rewarded with charm, wit, fresh approaches to narrative, unique points of view.

I confess that I rarely pay much attention to student evaluations any more. I know that my brain will dismiss the positive ones and focus on the negative, which will say that there was too much reading and that the instructor only wanted to hear his side of things (i.e., interpretations grounded in the texts). But this time I wanted to know what they thought. Were they as engaged as I was? The answer was, yes. It was the most positive set of evaluations I have seen for many years. They liked the selections, and they generally singled out whichever book they had been assigned for a group presentation, meaning that they took some ownership. However, as always there was one clunker: a student who wanted to know why they had to read books that were so political.

Political? They didn’t seem particularly political to me, although certainly Adeyemi’s fantasy version of Africa incorporates some of that continent’s historical struggles and, as attested by the author, serves as an allegory for recent racial injustices. Bray’s novel satirizes a certain political segment that we could term the military-industrial-pageant complex. However, I think this anonymous student was reacting to having to inhabit identities that were foreign and uncomfortable. The most political thing about the reading list is that the protagonists—and the authors—are all other than straight, white, and male. For my rural Western students, that meant empathizing with the other: urban folks, people of color, individuals who are Latinx, Indigenous, gay, transgender, and so on. I should point out that I was also thanked, not anonymously, by many of the students for making them feel included. One student voluntarily shared her family’s Day of the Dead traditions. Another came out as transgender (not obvious in a Zoom-based class) and a third mentioned passing Cemetery Boys along to their transgender partner.

But back to “political.” Not to be viewed as political is a perquisite only granted to dominant groups. It isn’t “political” to assert one’s right to speak as straight, white, cisgender, or, in this country, Christian. Or rather, one needn’t even assert such a right; one can assume it. Anything else is pushing against inertia or overt hostility and is thus a political act. Making people uncomfortable is a political act. Inviting them to identify with, and thus perhaps be motivated to act in favor of, any other kind of identity is a political act. This isn’t, perhaps, the most urgent or effective kind of political action we can undertake, but it is the kind particularly suited to us who study and teach stories and storytelling. It is our obligation and our privilege.

All of the articles in this issue of JFA are about politics, in one form or another, which is to say that all concern identity, expression, and justice in situations where those things are skewed or suppressed. First up is Alejandro Soifer’s article on Argentine science fiction’s resurgence in the wake of that nation’s turn-of-the-millennium crisis. Soifer quotes critic Kulrat Ares’s judgment that such fiction is a way to deal with “the real after the death of realism,” a judgment that resonates with Ursula K. Le Guin’s call, in her speech to the National Book Foundation, for “realists of a larger reality.” Le Guin saw such a larger vision as a way to reassert hope. The apocalyptic and dystopian fictions in Soifer’s study seem to offer little in the way of optimism. However, if the problems are based in structures that have seemed inescapable—capitalism, colonialism, caste—then there is hope to be found in destruction. Soifer points to a “new beginning” for the genre, and perhaps that beginning extends outward to the world of experience.

Where Soifer focuses on dismantling inherited patterns, Jalondra A. Davis explores ways to bring older traditions into the future: specifically the African diasporic tradition of the mermaid, which offers alternative ways of being in the world. As Davis says, the mermaid figure, and particularly the narratives that link it with captivity and the trans-Atlantic crossing, can “disrupt the hierarchical and ecologically disastrous category of the human.” Redirecting the term “genre” from texts to identities, Davis demonstrates that “other genres of the human” than Eurocentric, masculinist norms can lead to new ways of knowing and being, which she finds enacted in mermaid stories by Rivers Solomon and Nalo Hopkinson. Though fantasy often seems like a retrospective form, Davis makes a strong case for its inclusion in the category of Afrofuturism: these fictions, and the mythic heritage upon which they are built, offer views both back and ahead.

Vincent Albarano’s article “Demon Dolls and Quadead Zones,” which focuses on “Badfilm,” might seem to be less political than the rest of the issue. Bad films are just that—bad, right? It’s an aesthetic assessment of a marginal group of movies, except that qualitative judgments are always about more than technique and scope. When inexpensive video equipment and unconventional distribution opened up filmmaking to outsiders such as Chester N. Turner and Todd Cook, it also enabled their depiction of an unfiltered reality that had never been shown on movie screens. Their films both expand and subvert notions of realism and thus allow for representation of racial and class issues that were new to cinema. Albarano suggests that much can be gained by setting aside, at least temporarily, questions of aesthetic value and looking instead at what the camera has recorded and the viewpoint from which it is looking. There may be larger implications here about genre and audience. Genres such as horror, fantasy, and children’s literature and works by women and non-elite writers have likewise been deemed aesthetically inferior without examination of the judges’ own limited perceptions.

M. Keith Booker and Isra Daraiseh seem to be writing about the contrary question: could a novel called Frankenstein in Baghdad be anything other than political? Set in a time and place fraught with tension—an Iraq plagued by violence and occupied by a foreign power—Ahmed Saadawi’s novel does not dodge the tensions of ideology and the traumas of war. And yet, as Booker and Daraiseh demonstrate, it is nevertheless “an often playful postmodern work” that extends the notion of invasion from literal armies of occupation to the kind of intellectual colonization that accompanies the spread of popular culture. The novel invokes Frankenstein’s fragmented and reassembled creature as a metaphor for a fragmented, postmodern existence that is a global, rather than a local, condition. I am sure that an American reader will not get everything there is to perceive in the book, but with Daraiseh and Booker’s guidance, we may find insight into our own media-colonized, fragmented lives. We might call this reading “Frankenstein in Baghdad in America.”

Finally, Christopher Robinson looks at a pair of horror films: 1992’s Candyman contextualized by its 2021 remake. The earlier film, says Robinson, touched on “the political unconscious of the nation,” especially with regard to racial anxieties and taboos. Its setting in an infamous ghettoized housing complex and its hints at interracial desire make the title character, who is Black, into a sort of touchstone for viewers. Depending on one’s own race and social position, he might be seen as a victim or a monster, guilt-charged nightmare or supernatural avenger. In the remake written by director Nia DaCosta with Jordan Peele and Win Rosenfeld, the implied or unconscious content becomes overt. The new Candyman invites us to look more carefully at the old, which Robinson analyzes as a complex response to, and critique of, the Reagan-era politicization of race. This was the era when politicians capitalized on fears of Black male rapists and welfare queens—when race could be used to mobilize the anxieties of an electorate and divert attention from real social problems. Alas, we still live in that era, though we may need Candyman remakes from time to time to remind us of that fact. Horror can never be confined to the screen. Its impact is always political if not always unconscious. Why do stories have to be political? Because we live within and upon injustice. We need stories that tell us so and to remind us that there might be other possibilities.

Articles

Introduction: But Why Does It Have To Be Political?
Brian Attebery

Under the Shadow of Catastrophe: New Millennium Argentinian Science Fiction
Alejandro Soifer

Crossing Merfolk, the Human, and the Anthropocene in Nalo Hopkinson’s The New Moon’s Arms and Rivers Solomon’s The Deep
Jalondra A. Davis

Demon Dolls and Quadead Zones: Amateur Cinephilia and the Alternative Function of Realism
Vincent Albarano

Frankenstein in Baghdad, or the Postmodern Prometheus
M. Keith Booker and Isra Daraiseh

Bernard Rose’s Candyman and the Rhetoric of Racial Fear in the Reagan and Bush Years
Christopher L. Robinson

Reviews

Amanda Leduc’s Disfigured: On Fairy Tales, Disability, and Making Space
Rev. by Hannah Helm

Brandon Grafius’s The Witch
Rev. by Courtney J. Dreyer

Thomas Connolly’s After Human: A Critical History of the Human in Science Fiction from Shelley to Le Guin
Rev. by Jason W. Ellis

Sean Guynes and Martin Lund’s Unstable Masks: Whiteness and American Superhero Comics
Rev. by Vincent M. Gaine

Alessandra Violi, Barbara Grespi, Andrea Pinotti, and Pietro Conte’s Bodies of Stone in the Media, Visual Culture, and the Arts
Rev. by Elliott Mason

Caterina Nirta and Andrea Pavoni’s Monstrous Ontologies: Politics Ethics Materiality
Rev. by Daniel Otto Jack Petersen

Bridget M. Marshall’s Industrial Gothic: Workers, Exploitation, and Urbanization in Transatlantic Nineteenth-Century Literature
Rev. by Carol Senf

Suparno Banerjee’s Indian Science Fiction: Patterns, History and Hybridity
Rev. by Samarth Singhal

Marc Olivier’s Household Horror: Cinematic Fear and the Secret Life of Everyday Objects
Rev. by Tom Sparrow

Kim Wilkins’s Young Adult Fantasy Fiction: Conventions, Originality, Reproducibility
Rev. by Megan Suttie

Brandon R. Grafius and John W. Morehead’s Theology and Horror: Explorations of the Dark Religious Imagination
Rev. by Jude Wright

Jayna Brown’s Black Utopias: Speculative Life and the Music of Other Worlds
Rev. by Natalie Zacek

Introduction: Everything Old Is New Again

 

One of the core facts about fantasy as a genre is that it takes up older story elements and reshapes them, as Tolkien did with Beowulf and George MacDonald did with the Medieval stories about Lilith. Somewhere in the background of virtually every classic fantasy text is an oral traditional one: a fairy tale, sacred hymn, legend, ballad, or epic. And since these sorts of folk texts define cultures and help us find our identities within those cultures, fantasy matters in ways that are not obvious to readers who can’t see beyond the surface of glittering spells and furry feet and outdated social systems. These once-oral texts are master narratives: stories within which we inscribe our own life stories.

But there are other sorts of cultural narratives as well, other masterplots of the sort that cultural commentators tend to call myths. America has a number of these: the myth of the self-made individual, the myth of the empty and endless frontier, the myth of racial superiority, the myth of manifest destiny. One of the tasks of artists is to examine such myths, to test them against history and to conduct thought-experiments with them to see where they might be leading or misleading us.

An interesting development in fantastic art is a turn toward treating prior works of the imagination the same way those works treated traditional tales and legends. Rather than going back to European Märchen or classical fable, a number of writers are drawing on Gothic tales or classic fantasies, not so much as raw material but as objects of interrogation. One of the earliest and still one of the finest of these is Geoff Ryman’s Was, from 1992. Was is about The Wonderful Wizard of Oz by L. Frank Baum and about the 1939 musical adaptation of Baum’s book and about its star Judy Garland, but mostly about America itself as a place of cruelty and despair and hope and magic. Ryman treats Oz as the cultural myth that it has become.

I have recently been reading a number of worthy successors to Was. These are stories that go beyond parody or pastiche or homage to become both metafiction and cultural commentary. Nisi Shawl’s Everfair, for instance, not only interrogates colonial adventure stories such as H. Rider Haggard’s but also sneaks in a nod to pioneering fantasist Edith Nesbit, author of The Enchanted Castle and other subversive children’s books. John Kessel’s Pride and Prometheus juxtaposes two cultural myths or story tropes, the Jane Austenesque romance and the Mary Shelleyan Gothic. Theodora Goss also explores the borderline between the Gothic and an adjacent story territory, in this case the detective story, in The Strange Case of the Alchemist’s Daughter. And Kij Johnson recently won a World Fantasy Award for her novella The Dream-Quest of Vellitt Boe, which places a sensible academic heroine reminiscent of Dorothy Sayers’s Harriet Vane in a world created by H. P. Lovecraft. Matt Ruff’s Lovecraft Country goes further in taking on the horror writer’s problematic political and abysmal racial views. In a lighter vein (but still with a social point) Johnson has followed up The Dream-Quest with the delightful The River Bank, in which the world of Kenneth Grahame’s The Wind in the Willows is enriched and critiqued by the intrusion of two determined females.

Perhaps it is not by coincidence, then, that all the articles in this issue of JFA have to do with new ways of looking at classic fantasy, often through the lens of other, more recent texts. Kathryn Walls, in “An Analogous Adversary: The Old Dispensation in The Lion, the Witch and the Wardrobe,” reexamines a classic fantasy text by C. S. Lewis in light of his use of Biblical typology. That is the practice of reading the Old Testament as a prefiguration of the New, which is itself a kind of metanarrative doubling, or, if we add in Medieval applications of such typology to contemporary experience, a tripling.

Sean Ferrier-Watson looks at a more obvious example of revision of a classic text, Gregory Maguire’s Wicked, which reimagines L. Frank Baum’s Oz but in a very different way from Ryman’s. Ferrier-Watson performs what he calls an “existential reading” of Maguire’s novel and its green antiheroine Elphaba. He looks in particular at the way time, prophecy, and choice are intertwined for Elphaba and for the reader.

The ur-text in Clotilde Landais’s contribution is Alice in Wonderland and the filtering metafictional text is Aliss by Patrick Senécal, using Gérard Genette’s concept of the metalepsis, which is parallel with his time-jumping concepts of prolepsis and analepsis but involves not merely shifting the narrative backward or forward but out of the narrative timeline entirely. Metalepsis is usually considered to be a postmodern and metafictional technique, which it is in this case, but Landais suggests that it is also a way of enhancing the uncanny properties of Senécal’s novel.

Mariano Martín Rodríguez’s “The Literary Spoof Paper” is less obviously about metafictions but it does explore a form of intertextuality. The mock scientific paper is a genre that has received little attention in spite of the fact that it perfectly performs the sort of cognitive estrangement that critic Darko Suvin says is central to the genre of science fiction. Looking at examples by Isaac Asimov and others, Martín Rodríguez suggests that the use of scientific discourse in a text that is profoundly counterfactual not only serves as a way to critique science but also generates the sort of textual complexity that marks literary, rather than merely parodic, play.

Finally, in “The Lost Worlds of Arthur Conan Doyle’s Professor Challenger Series,” Conor Reid surveys Doyle’s most extended non-Sherlock-Holmes creation. Taking up the idea of the “lost world” as not merely a plot device and a way to exploit interest in various 19^th-century expeditions into previously uncharted places, Reid connects Doyle’s interest in geographical exploration with his flirtation with spirituality Most explicitly in The Land of Mist, Doyle has his scientific stand-in, Professor Challenger, turn to, as the novel says, “fresh worlds to conquer. Having exhausted the sporting adventures of this terrestrial globe, he is now turning to those of the dim, dark and dubious regions of psychic research.” We can read these texts, which depict the use of scientific methods to explore—and potentially colonize—the world of the spirit as well as physical globe, as examples of intertextuality and what we might call intergenrefication. Like some of the recent examples mentioned above, these novels jam together seemingly incompatible textual varieties, in this case the scientific romance and the spiritualist tract, as a way to test both against one another and perhaps to encourage them to hybridize. Doyle’s hope seems to be that the genres thus mated together might produce new narrative models, new myths to live in.

Articles

An Analogous Adversary: The Old Dispensation in The Lion, the Witch and the Wardrobe
Kathryn Walls

The Many Roads of Oz: An Existential Reading of Maguire’s “Wicked Witch of the West”
Sean Ferrier-Watson

Aliss by Patrick Senécal: The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction
Clotilde Landais

The Literary Spoof Paper: An Overview
Mariano Martín Rodríguez

The Lost Worlds of Arthur Conan Doyle’s Professor Challenger Series
Conor Reid

Reviews

Hrsg von Sonja Klimek, Tobias Lamprecht, and Tom Kindt’s Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. [Functions of the Fantastic. New Forms of World Reference in Literature and Film after 1945.]
Rev. by Bruce A Beatie

Dessy, Clément, and Valérie Stiénon, editors. (Bé)vues du futur. Les imaginaires visuels de la dystopie (1840-1940) [Blunder/Views of the Future. Visual Imagination of Dystopia (1840-1940)].
Rev. by Sophie Beaule

Roas, David, ed. El monstruo fantástico: Visiones y perspectivas [The Fantastic Monster: Visions and Perspectives].
Rev. by Andrea Bell

Nakamura, Miri. Monstrous Bodies: The Rise of the Uncanny in Modern Japan.
Rev. by Kay K. Clopton

Papieau, Isabelle. Il y avait des fois, La Belle et la Bête : réalité et magie à l’italienne. [Once Upon a Time, “Beauty and the Beast”: Reality and Italian Magic].
Rev. by Adrion Dula

Melbye, David. Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture.
Rev. by Annmarie Guzy

Elliott-Smith, Darren. Queer Horror: Film and Television – Sexuality and Masculinity at the Margins
Rev. by Robert Lipscomb

Miller, Cynthia J. and A. Bowdoin Van Riper, editors. The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland.
Rev. by Tommy Mayberry

Koch, Sebastian. Der Kampf des Helden gegen den ‘egeslîchen trachen.’ Zur narrative Funktion des Topos vom Drachenkampf in vergleichender Perspektive [The Heroic Struggle Against the Terrible Dragons: The Narrative Function of the Dragon Fight in Comparative Perspectives]
Rev. by Vibeke Rutzou Petersen

Guay, Patrick. Jacques Spitz, Le myth de l’humain [Jacques Spitz, The Human Myth].
Rev. by Tessa Sermet

Alonso-Collada, Inés Ordiz and Rosa María Díez Cobo eds. La (ir)realidad imaginada: Aproximaciones a lo insólito en la ficción hispanoamericana [Imagined (Un)reality: Approaches to Strangeness in Latin American Fiction].

Álvarez Méndez, Natalia and Ana Abello Verano eds. Espejismos de la realidad: Percepciones de lo insólito en la literatura española (siglos XIX-XXI) [Mirages of Reality: Perceptions of Strangeness in Spanish Literature (Nineteenth – Twenty-First Centuries)]
Rev. by Adam Spires

Jad Smith’s Alfred Bester
Rev. by Dennis Wilson Wise

Editor’s Introduction

“Introduction: Fictional Modes and Cultural Energy”
Brian Attebery

At any historical moment, certain ways of writing fiction particularly catch people’s attention. While writers might be working with a whole range of plots, themes, or genres, a few of those will seem more interesting, more important, more urgent than all the rest. Two novels may be equal in inventiveness and craft, but one will get the buzz. Sometimes the other will emerge later on, as society discovers its significance: a good example is Kate Chopin’s 1899 The Awakening, buried in sales in its day by Edward Noyes Westcott’s horse-trading novel David Harum. More often, the more famous work will continue to dominate discussions of its era and will attract more writers to its central problem or vision. Edward Bellamy’s best-selling novel Looking Backward (1887) led to a rash of similar utopian romances. Evidently conditions were right at the end of the nineteenth century for questioning economic systems and social norms: the sorts of things that utopian fiction can do. Social anxiety creates social energy, and the stories that best articulate the tension of the moment will create the greatest stir.

Right now among the many modes of fantastic literature, there is a lot of social energy in the idea of the past as something less than fixed. I have been reading a number of fascinating explorations of time travel and alternate history, stories in which humans find themselves facing an unlivable future and can only go forward by returning to the past to alter it. Kim Stanley Robinson’s Galileo and Kathleen Ann Goonan’s paired novels In War Times and This Shared Dream are standout examples. They straddle genres—historical fiction, alternate history, futuristic sf, and utopian fiction—because the thing they seek to do cannot be encompassed within any one of those genres. Underlying their vision is the idea that history is malleable. It is not so much that the events of the past can be changed, though that happens in the novels, but that collective memory is, like individual memory, continually reworked and reinterpreted.

Historians know this. There is no final word on something like the Industrial Revolution. Every time a historian approaches a topic with new data, a new theoretical perspective, or a new focus on previously unconsidered participants (women, minorities, workers, children, etc.), the past rearranges itself. Nothing is as it seemed; nothing means what we thought it did. And because society, like every member of it, is the product of its memories, the present isn’t what we thought it was either, nor is it headed toward the future that once seemed inevitable. Goonan is especially adept at showing how past and future are interdependent. Both are also necessary fictions; we cannot touch either one directly, but without them both, there is no meaningful present.

As certain futures promised us by science fiction become increasingly problematic or unreachable, maybe it is necessary to retreat and regroup. To go ahead, we need to go back, as Goonan and Robinson have done. As Karen Hellekson points out, the genre of alternate history can incorporate insights from postmodern philosophers and metahistorians: history is not the past: it is a story we tell about the past, and “the historian is complicit in this storytelling, not an objective, impartial recorder of events” (25). Thus, our narrowing vision of the future is counterbalanced by an increasingly unstable past. Alternate history seems to be one way to free the imagination. By going back and finding a new past, writers can, as it were, draw the bowstring back and thereby give time’s arrow a new trajectory. No wonder there is energy in such stories.

With a little stretching, all the articles in this issue might be said to deal with alternative pasts:

Alf Seegert, in “The Mistress of Sp[l]ices: Technovirtual Liaisons in Adolfo Bioy Casares’s The Invention of Morel,” examines a 1940 novel that not only revises literary history—retelling H. G. Wells’s The Island of Doctor Moreau—but also dramatizes the changeability of the historical record. The novel’s protagonist finds himself interacting with images preserved in a substantial, three-dimensional form by an extrapolated successor of the movie camera. In love with one of those recorded phantoms, he can only find happiness by rewriting the recorded past.

Kate Macdonald’s article, “Witchcraft and Non-conformity in Sylvia Townsend Warner’s Lolly Willows and John Buchan’s Witch Wood,” reads two novels from the 1920s that use Margaret Murray’s now-discredited history of European witchcraft to challenge contemporary mores. Though Murray was wrong in many of her claims about a widespread witch cult, her version of history proves to be a usable past for both Warner, attempting to construct a new feminist identity for her heroine, and Buchan, investigating contemporary issues of conformity, corruption, and responsibility projected back into the seventeenth century.

In Paula Brown’s “Gnostic Magic in Jonathan Strange and Mr. Norrell,” the radically altered, magical past of Susanna Clarke’s novel allows the author to explore a number of still-relevant issues, including the uses and misuses of knowledge. Brown argues that the central philosophy of the novel is a Romantic version of gnosticism, in which knowledge of the universe is intertwined with understanding of the self, and the latter is dependent on giving up a false knowledge of separateness from and superiority to other beings and the universe. The novel’s characters must unlearn many things, including their own history, in order to move forward.

Finally, in “Spells Out The Word of Itself, and Then Dispelling Itself”: The Chaotics of Memory and The Ghost of the Novel in Jeff Noon’s Falling out of Cars,”Andrew Wenaus considers Jeff Noon’s 2002 novel as an experiment in narrative “remixing”: its haunted protagonist learns to sample and rearrange her own troubled and noise-corrupted history in order to move forward. Wenaus argues that Noon is doing the same thing to literary history: transforming narrative into a chaotic but open-ended version of itself in order to move literature into a post-structuralist, post-historical future.

Work Cited

Hellekson, Karen. The Alternate History: Refiguring Historical Time. Kent: Kent State UP, 2001. Print.

Articles

The Mistress of Sp[l]ices: Technovirtual Liaisons in Adolfo Bioy Casares’s The Invention of Morel
Alf Seegert

Witchcraft and Non-conformity in Sylvia Townsend Warner’s Lolly Willowes (1926) and John Buchan’s Witch Wood (1927)
Kate Macdonald

Gnostic Magic in Jonathan Strange and Mr. Norrell
Paula Brown

“Spells Out The Word of Itself, and Then Dispelling Itself”: The Chaotics of Memory and the Ghost of the Novel in Jeff Noon’s Falling out of Cars
Andrew Wenaus

Review Essay

Whose History?
Paul Kincaid

Reviews

George Kovacs and C. W. Marshall’s Classics and Comics
Rev. by Claire Burrows

Mary Y. Hallab’s Vampire God: The Allure of the Undead in Western Culture
Rev. by Patrick R. Casey

Susannah Clements’s The Vampire Defanged, How the Embodiment of Evil Became a Romantic Hero
Rev. by Catherine Coker

Seo-Young Chu’s Do Metaphors Dream of Literal Sleep? A Science-Fictional Theory of Representation
Rev. by Samuel Gerald Collins

David R. Castillo’s Baroque Horrors: Roots of the Fantastic in the Age of Curiosities
Rev. by Cary Elza

Gregory Waller’s The Living and the Undead: Slaying Vampires, Exterminating Zombies
Rev. by Adryan Glasgow

Masood Ashraf Raja, Jason W. Ellis, and Swaralipi Nandi’s The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction
Rev. by Adam Guzkowski

Regina Hansen’s Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery
Rev. by Kate S. Kelley

John Edgar Browning and Caroline Joan Picart’s Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture
Rev. by Mark R. McCarthy

Annette Hill’s Paranormal Media: Audiences, Spirits and Magic in Popular Culture
Rev. by Jules Odendahl-James

Theresa Bane’s Encyclopedia of Vampire Mythology
Rev. by Janice Odom

Thomas Honegger and Fanfan Chen’s Fastitocalon. Studies in Fantasticism Ancient to Modern: Immortals and the Undead 1.2
Rev. by Vibeke Rützou Petersen

Daniel Illger, Jacek Rzeszotnik, and Lars Schmeink’s Zeitschrift für Fantastikforschung [ZFF] 1.
Rev. by Vibeke Rützou Petersen

Diana Wallace and Andrew Smith’s The Female Gothic: New Directions
Rev. by Daryl Ritchot

Wheeler Winston Dixon’s A History of Horror
Rev. by Kjetil Rodje

Phyllis M. Betz’s The Lesbian Fantastic: A Critical Study of Science Fiction, Fantasy, Paranormal and Gothic Writings
Rev. by Roxanne Samer

Julian Hanich’s Cinematic Emotions in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear
Rev. by Hans Staats

Karen Morton’s A Life Marketed as Fiction: An Analysis of the Works of Eliza Parsons
Rev. by Joel T. Terranova

Kristen Lacefield’s The Scary Screen: Media Anxiety in The Ring
Rev. by Emanuelle Wessels

Julián Daniel Gutiérrez-Albilla’s Queering Buñuel: Sexual Dissidence and Psychoanalysis in His Mexican and Spanish Cinema
Rev. by Stephenie A. Young

Journal of the Fantastic in the Arts

Review Index

In volume 10, JFA began regularly publishing reviews of scholarly works. (A few reviews were published before vol. 10.) The following comprehensive index is sorted alphabetically by the author(s) whose work is being reviewed.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

Aaron, Jane. Welsh Gothic. Rev. by Mark De Cicco. JFA 25.2-3 (2014): 420-22. [391-93]

Abanes, Richard. Fantasy and Your Family: A Closer Look at The Lord of the Rings, Harry Potter, and Magick in the Modern World. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Abanes, Richard. Harry Potter and the Bible: The Menace behind the Magick. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Abate, Michelle Ann. Bloody Murder: The Homicide Tradition in Children’s Literature. Rev. by M. Tyler Sasser. JFA 27.1 (2016): 159-61.

Abbott, Stacey. Celluloid Vampires: Life after Death in the Modern World. “The Proliferating Undead.” Rev. by Jeffrey Andrew Weinstock. JFA 19.3 (2008): 399-414.

Abbott, Stacey. Undead Apocalypse: Vampires and Zombies in the Twenty-first Century. Rev. by Pedro Ponce. JFA 29.2 (2018): 312-15.

Abraham, Carlos. Borges y la ciencia ficción [Borges and Science Fiction] and Estudios sobre literatura fantástica [Studies on Fantastic Literature]. Rev. by Pablo Brescia. JFA 22.3 (2011): 402-04.

Abraham, Ulf. Fantastik in Literatur und Film. Eine Einführung für Schule und Hochschule [The Fantastic in Literature and Film. An Introduction for Schools and Universities]. Rev. by Simon Spiegel. JFA 24.3 (2013): 553-56.

Admirand, Peter. Rev. of Ontological Humility: Lord Voldemort and the Philosophers, by Nancy J. Holland. JFA 26.2 (2015): 361-64.

Ahmad, Aalya. Rev. of John Fawcett’s Ginger Snaps, by Ernest Mathijs. JFA 26.3 (2015): 551-54.

Ahmad, Aalya, and Sean Moreland. Fear and Learning: Essays on the Pedagogy of Horror. Rev. by Rikk Mulligan. JFA 25.2-3 (2014): 477-81. [448-52]

Alkon, Paul K. Science Fiction Before 1900: Imagination Discovers Technology. “Fresh Approach to Nineteenth Century Science Fiction.” Rev. by Carol McGuirk. JFA 6.4 (1995): 366-70.

Allan, Kathryn. Disability in Science Fiction: Representations of Technology as Cure. Rev. by Laura R. Kremmel. JFA 29.3 (2018): 462-64.

Allmer, Patricia, Emily Brick, and David Huxley. European Nightmares: Horror Cinema in Europe since 1945. Rev. by Matthew A. Cicci. JFA 24.3 (2013): 492-95.

Alonso-Collada, Inés Ordiz, and Rosa María Díez Cobo. La (ir)realidad imaginada: Aproximaciones a lo insólito en la ficción hispanoamericana [Imagined (Un)reality: Approaches to Strangeness in Latin American Fiction]. Rev. by Adam Spires. JFA 28.2 (2017): 325-31.

Alton, Anne Hiebert, and William C. Spruiell, eds. Discworld and the Disciplines: Critical Approaches to the Terry Pratchett Works. Rev. by Lauren J. Lacey. JFA 27.1 (2016): 126-28.

Álvarez Méndez, Natalia, and Ana Abello Verano. Espejismos de la realidad: Percepciones de lo insólito en la literatura española (siglos XIX-XXI) [Mirages of Reality: Perceptions of Strangeness in Spanish Literature (Nineteenth – Twenty-First Centuries)]. Rev. by Adam Spires. JFA 28.2 (2017): 325-31.

Amendt-Raduege, Amy. “The Sweet and the Bitter”: Death and Dying in J. R. R. Tolkien’s The Lord of the Rings. Rev. by Mark Scroggins. JFA 30.1 (2019): 132-35.

Anatol, Giselle Liza. Bringing Light to Twilight: Perspectives on a Pop Culture Phenomenon. Rev. by Roslyn Weaver. JFA 24.1 (2013): 155-58.

Anderson, Douglas A., Michael D. C. Drout, and Verlyn Flieger, eds. Tolkien Studies: An Annual Scholarly Review. Rev. by Carol A. Leibiger. JFA 16.1 (2005): 65-68.

Anderson, Douglas A., Michael D. C. Drout, and Verlyn Flieger, eds. Tolkien Studies: An Annual Scholarly Review, Vol. VI. Rev. by Don Riggs. JFA 21.3 (2010): 472-75.

Anderson, Douglas A., Michael D. C. Drout, and Verlyn Flieger, eds. Tolkien Studies: An Annual Scholarly Review, Vol. VII. Rev. by T. S. Miller. JFA 23.1 (2012): 141-44.

Andrés-Suárez, Irene, and Ana Casas, eds. Cristina Fernández Cubas. Rev. by Dale Knickerbocker. JFA 20.2 (2009): 283-85.

Andrews, Scott. Uncharted Territory: An Unofficial and Unauthorized Guide to Farscape. Rev. by Farid Alvarado. JFA 14.4 (2004): 471-73.

Ángel Moreno, Fernando. Teoría de la Literatura de Ciencia Ficción: Poética y Retórica de lo Prospectivo [Theory of Science Fiction Literature: A Poetics and Rhetoric of the Prospective]. Rev. by Dale Knickerbocker. JFA 24.1 (2013): 124-27.

Anolik, Ruth Bienstock, ed. Demons of the Body and Mind: Essays on Disability in Gothic Literature. Rev. by Anya Heise-von der Lippe. JFA 22.3 (2011): 422-25.

Armand, Guilhem. Les Fictions à vocation scientifique de Cyrano de Bergerac à Diderot: Vers une poétique hybride [Fiction with a Scientific Vocation from Cyrano de Bergerac to Diderot: Towards a Hybrid Poetics]. Rev. by Amy J. Ransom. JFA 26.1 (2015): 191-94.

Armitt, Lucie. Fantasy Fiction: An Introduction. Rev. by W. A. Senior. JFA 16.2 (2005): 162-64.

Ashcroft, Bill. Utopianism in Postcolonial Literature. Rev. by Amandine Faucheux. JFA 28.3 (2017): 451-54.

Ashley, Mike. Out of This World: Science Fiction But Not as You Know It. Rev. by Daniel Lukes. JFA 24.3 (2013): 536-39.

Ashley, Mike. The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1950. Rev. by Tim Sullivan. JFA 14.3 (2003): 379-81.

Aston, James, and John Wallis. To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. Rev. by William Wandless. JFA 25.2-3 (2014): 544-46. [515-17]

Attebery, Brian. Decoding Gender in Science Fiction. Rev. by Regina Cross. JFA 14.1 (2003): 109-11.

Attebery, Brian. Stories About Stories: Fantasy and the Remaking of Myth. Rev. by William Wandless. JFA 26.2 (2015): 422-25.

Auger, Emily E. Tech-Noir Film: A Theory of the Development of Popular Genres. Rev. by Angela Chiang. JFA 24.2 (2013): 314-16.

Azuma, Hiroki. Otaku: Japan’s Database Animals. Rev. by Stefan Hall. JFA 22.2 (2011): 273-76.

B

Bacchilega, Cristina. Fairy Tales Transformed? Twenty-First-Century Adaptations & the Politics of Wonder. Rev. by Gretchen Papazian. JFA 26.2 (2015): 405-07.

Bailey, Dale. American Nightmares: The Haunted House Formula in American Popular Fiction. Rev. by Tony Magistrale. JFA 12.1 (2001): 116-18.

Bak, John S., ed. Post/Modern Dracula: From Victorian Themes to Postmodern Praxis. “The Proliferating Undead.” Rev. by Jeffrey Andrew Weinstock. JFA 19.3 (2008): 399-414.

Balaji, Murali, ed. Thinking Dead: What the Zombie Apocalypse Means. Rev. by Anya Heise von der Lippe. JFA 27.1 (2016): 109-13.

Balzac, Honoré de. The Centenarian: Or, The Two Beringhelds. Rev. by Françoise Frégnac-Clave. JFA 18.1 (2007): 112-15.

Bammer, Angelika. Partial Visions: Feminism and Utopianism in the 1970s. Rev. by Karina A. Vado. JFA 27.2 (2016): 375-78.

Banerjee, Anindita. We Modern People: Science Fiction and the Making of Russian Modernity. Rev. by Leon Marvell. JFA 26.2 (2015): 395-98.

Banerjee, Suparno. Science, Gender, and History: The Fantastic in Mary Shelley and Margaret Atwood. Rev. by Catherine Siemann. JFA 27.1 (2016): 170-72.

Barceló, Miquel. Paradojas II: Ciencia en la Ciencia Ficción (Paradoxes II: Science in Science Fiction). Rev. by Dale Knickerbocker. JFA 17.3 (2006): 304-06.

Barczewski, Stephanie L. Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. Rev. by Kelly A. O’Connor-Salomon. JFA 12.2 (2001): 223-29.

Barker, Cory, Chris Ryan, and Myc Wiatrowski. Mapping Smallville: Critical Essays on the Series. Rev. by Kathryn Polizzi. JFA 29.3 (2018): 476-79.

Barr, Marleen, ed. Afro-Future Females: Black Writers Chart Science Fiction’s Newest New-Wave Trajectory. Rev. by Monty Vierra. JFA 19.3 (2008): 450-52.

Barron, Neil, ed. Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, TV, Radio, and the Internet. Rev. by Michael Levy. JFA 11.1 (2000): 112-14.

Baschiera, Stefano, and Russ Hunter. Italian Horror Cinema. Rev. by Cale Hellyer. JFA 28.3 (2017): 462-65.

Basham, Gregory, and Eric Bronson. The Hobbit and Philosophy: For When You’ve Lost Your Dwarves, Your Wizard, and Your Way. Rev. by Cassandra E. Bausman. JFA 25.1 (2014): 123-26.

Bassham, Gregory, and Eric Bronson, eds. The Lord of the Rings and Philosophy: One Book to Rule Them All. Rev. by W. A. Senior. JFA 15.4 (2004): 386-88.

Bassior, Jean-Noel. Space Patrol: Missions of Daring in the Name of Early Television. Rev. by Jacob Horn. JFA 24.3 (2013): 511-14.

Basu, Balaka, Katherine R. Broad, and Carrie Hintz, eds. Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers. Rev. by Lisa Arter. JFA 26.3 (2015): 555-58.

Battis, Jes. Supernatural Youth: The Rise and Fall of the Teen Hero in Literature and Popular Culture. Rev. by Jessica Stanley. JFA 28.1 (2017): 166-72.

Baxter, Jeannette, ed. J. G. Ballard: Contemporary Critical Perspectives. Rev. by D. Harlan Wilson. JFA 21.3 (2010): 492-94.

Beal, Timothy K. Religion and Its Monsters. Rev. by George Aichele. JFA 13.2 (2002): 184-86.

Beard, William. The Films of David Cronenberg. Rev. by Michael Arnzen. JFA 14.4 (2004): 474-77.

Beaulé, Sophie. Jean-Louis Trudel. Rev. by Amy Ransom. JFA 21.2 (2010): 305-06.

Beaumont, Matthew. The Spectre of Utopia: Utopian and Science Fictions of the Fin de Siècle. Rev. by Thomas J. Morrissey. JFA 24.1 (2013): 135-38.

Beeler, Stan, and Lisa Dickson, eds. Reading Stargate SG-1. Rev. by Susan A. George. JFA 18.1 (2007): 119-22.

Beer, Gillian. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction. Rev. by Carrol L. Fry. JFA 11.4 (2001): 454-57.

Beetz, Kirk H. Exploring C. S. Lewis’s The Chronicles of Narnia. Rev. by Amie Rotruck. JFA 15.2 (2005): 173-75.

Bell, Christopher E. Hermione Granger Saves the World: Essays on the Feminist Heroine of Hogwarts. Rev. by Christopher L. Caldwell. JFA 25.1 (2014): 135-38.

Bellin, Joshua David. Framing Monsters: Fantasy Film and Social Alienation. Rev. by Lorrie Palmer. JFA 16.4 (2006): 380-84.

Bernárdez, Aurora and Carles Álvarez Garriga, eds. Cortázar de la A a la Z: un álbum biográfico [Cortázar from A to Z: A Biographical Album]. Rev. by Jaime R. Brenes Reyes. JFA 26.3 (2015): 570-72.

Bernardo, Susan M. Environments in Science Fiction: Essays on Alternative Spaces. Rev. by J.H. Roberts. JFA 28.1 (2017): 154-56.

Bethencourt, Francisco. Utopia in Portugal, Brazil, and Lusophone African Countries. Rev. by Ramiro Giroldo. JFA 27.3 (2016): 529-31.

Billiani, Francesca, and Gigliola Sulis, eds. The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions. Rev. by Felice Italo Beneduce. JFA 20.3 (2009): 413-16.

Billson, Anne. Let The Right One In. Rev. by Hans Staats. JFA 24.1 (2013): 149-51.

Billson, Anne. Let the Right One In. Rev. by Simon Bacon. JFA 28.1 (2017): 123-28.

Bishop, Kyle W. American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture. Rev. by Charlie Ellbé. JFA 24.3 (2013): 500-02.

Bishop, Kyle William. How Zombies Conquered Popular Culture: The Multifarious Walking Dead in the 21st Century. Rev. by Joseph Michael Sommers. JFA 28.3 (2017): 486-92.

Blackford, Russell, Van Ikin, and Sean McMullen. Strange Constellations: A History of Australian Science Fiction. “Strange Constellations.” Rev. by Lynette Aspey. JFA 10.4 (2000): 440-42.

Blackham, Robert S. Tolkien and the Peril of War. Rev. by W.A. Senior. JFA 26.1 (2015): 208-10.

Blaim, Artur. Gazing in Useless Wonder: English Utopian Fictions, 1516-1800. Rev. by Matthew Reza. JFA 26.3 (2015): 603-05.

Blake, Andrew. The Irresistible Rise of Harry Potter. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Blake, Brandy Ball, and L. Andrew Cooper, eds. Monsters. Rev. by Jeffrey Andrew Weinstock. JFA 27.3 (2016): 494-504.

Blake, Linnie, and Agnieszka Soltysik Monnet. Neoliberal Gothic. Rev. by Inés Ordiz. JFA 29.2 (2018): 306-09.

Blake, Linnie, and Xavier Aldana Reyes. Digital Horror: Haunted Technologies, Network Panic, and the Found Footage Phenomenon. Rev. by Murray Leeder. JFA 27.2 (2016): 342-44.

Blanco, María del Pilar. Ghost-Watching American Modernity: Haunting, Landscape, and the Hemispheric Imagination. Rev. by Jacquelynn Kleist. JFA 24.3 (2013): 520-23.

Bleiler, Richard, ed. Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. “Science Fiction Writers, Second Edition.” Rev. by W. A. Senior. JFA 10.4 (2000): 452-54.

Bleiler, Richard, ed. Volume 1. The Empire of the Future. Rev. by Paul Kincaid. JFA 26.1 (2015): 136-43.

Bloom, Harold, ed. Edgar Allan Poe: Comprehensive Research and Study Guide. “Bloom’s Major Short Story Writers: Poe.” Rev. by Tony Magistrale. JFA 10.4 (2000): 443-45.

Bobby, Susan Redington. Beyond His Dark Materials: Innocence and Experience in the Fiction of Philip Pullman. Rev. by Gabrielle Kristjanson. JFA 25.2-3 (2014): 454-56. [425-27]

Boehrer, Bruce Thomas. Animal Characters: Nonhuman Beings in Early Modern Literature. Rev. by Suanna H. Davis. JFA 24.2 (2013): 321-24.

Boenig, Robert. C. S. Lewis and the Middle Ages. Rev. by T. S. Miller. JFA 24.3 (2013): 540-43.

Bohlmann, Markus P.J. and Sean Moreland. Monstrous Children and Childish Monsters: Essays on Cinema’s Holy Terrors. Rev. by Ana Grinberg. JFA 27.2 (2016): 328-31.

Bolluk, Stephanie, and Wylie Lenz. Generation Zombie: Essays on the Living Dead in Modern Culture. Rev. by Adryan Glasgow. JFA 24.1 (2013): 107-11.

Bomarito, Jessica, ed. Gothic Literature: A Gale Critical Companion. Rev. by Jeffrey Andrew Weinstock. JFA 19.1 (2008): 143-45.

Bondeson, Jan. Buried Alive: The Terrifying History of Our Most Primal Fear. Rev. by Roger C. Schlobin. JFA 12.4 (2002): 450-52.

Booker, M. Keith. Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946-1964. Rev. by Amanda Cockrell. JFA 14.4 (2004): 482-85.

Booker, M. Keith, and Anne-Marie Thomas. The Science Fiction Handbook. Rev. by Rob Latham. JFA 21.2 (2010): 301-04.

Boon, Kevin Alexander, ed. At Millennium’s End: New Essays on the Work of Kurt Vonnegut. Rev. by Robert O’Connor. JFA 13.1 (2002): 93-94.

Boston, Christopher, Istvan Csicsery-Ronay Jr., and Takayuki Tatsumi, eds. Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime. Rev. by Stefan Hall. JFA 19.3 (2008): 426-29.

Bottigheimer, Ruth B. Fairy Tales Framed: Early Forewords, Afterwords, and Critical Words. Rev. by Gretchen Papzian. JFA 25.1 (2014): 170-73.

Botting, Fred. Limits of Horror: Technology, Bodies, Gothic. Rev. by Isabella van Elferen. JFA 21.1 (2010): 132-35.

Botz-Bornstein, Thorsten. Inception and Philosophy: Ideas to Die For. Rev. by Stephen C. Swanson. JFA 25.1 (2014): 186-89.

Bould, Mark. Africa SF. Rev. by Isiah Lavender, III. JFA 26.1 (2015): 170-73.

Bould, Mark. Science Fiction. Rev. by Matt Yockey. JFA 25.2-3 (2014): 547-50. [518-21]

Bould, Mark. Solaris. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

Bould, Mark, Andrew M. Butler, Adam Roberts, and Sherryl Vint, eds. The Routledge Companion to Science Fiction. Rev. by Jason P. Vest. JFA 21.1 (2010): 136-39.

Bould, Mark, and China Miéville, eds. Red Planets: Marxism and Science Fiction. “Anti-Leninists in Space.” Rev. by David M. Higgins. JFA 22.2 (2011): 257-62.

Bould, Mark, and Rhys Williams. SF Now: Paradoxa 26 (2014). Rev. by Steven Holmes. JFA 28.3 (2017): 466-69.

Boumahdi, Fabrice. Jules Verne: Un océan tumultueux de mots et rêves [Jules Verne: A Turbulent Ocean of Words and Dreams]. Rev. by Arthur B. Evans. JFA 26.2 (2015): 373-75.

Bova, Ben, and Byron Preiss, eds. Are We Alone in the Cosmos? The Search for Alien Contact in the New Millennium. Rev. by Michael Levy. JFA 14.1 (2003): 123-25.

Bozzetto, Roger. Mondes fantastiques et réalités de l’imaginaire [Fantastic Worlds and Realities of the Imaginary]. Rev. by Amy J. Ransom. JFA 27.1 (2016): 151-54.

Brabon, Benjamin A., and Stéphanie Genz, eds. Postfeminist Gothic: Critical Interventions in Contemporary Culture. Rev. by Janice M. Bogstad. JFA 20.2 (2009): 270-72.

Bradley, Matthew R. Richard Matheson on Screen: A History of the Filmed Works. Rev. by Amy J. Ransom. JFA 22.3 (2011): 442-44.

Brady, Clark A. The Burroughs Cyclopaedia: Characters, Places, Fauna, Flora, Technologies, Languages, Ideas and Terminologies Found in the Works of Edgar Rice Burroughs. Rev. by Gary Westfahl. JFA 11.4 (2001): 479-83.

Braham, Persephone. From Amazons to Zombies: Monsters in Latin America. Rev. by Audrey Taylor. JFA 27.2 (2016): 372-74.

Braudy, Leo. Haunted: On Ghosts, Witches, Vampires, Zombies and Other Monsters of the Natural and Supernatural Worlds. Rev. by Aaron Botwick. JFA 27.3 (2016): 515-18.

Bridger, Francis. A Charmed Life: The Spirituality of Potterworld. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Briefel, Aviva, and Sam J. Miller. Horror After 9/11: World of Fear, Cinema of Terror. Rev. by Emily Lauren Putnam. JFA 24.2 (2013): 359-61.

Brock, Jason V. Disorders of Magnitude: A Survey of Dark Fantasy. Rev. by Sean Moreland. JFA 26.3 (2015): 592-94.

Brock, Jason V. Disorders of Magnitude: A Survey of Dark Fantasy. Rev. by Sean Moreland. JFA 29.3 (2018): 469-71.

Brodman, Barbara, and James E. Doan, eds. Images of the Modern Vampire: The Hip and the Atavistic. Rev. by Elizabeth Lundberg. JFA 26.2 (2015): 387-90.

Brodman, Barbara, and James E. Doan, eds. The Universal Vampire: Origins and Evolutions of the Legend. Rev. by Cristina Santos. JFA 26.3 (2015): 614-16.

Brooker, Will. Using the Force: Creativity, Community, and Star Wars Fans. Rev. by Amie Rose Rotruck. JFA 16.1 (2005): 72-74.

Brown, Marshall. The Gothic Text. Rev. by Marjean D. Purinton. JFA 17.2 (2006): 189-91.

Brunvand, Jan Harold. The Truth Never Stands in the Way of a Good Story. Rev. by James Kirkland. JFA 12.3 (2001): 345-47.

Buker, Derek M. The Science Fiction and Fantasy Reader’s Advisory: The Librarian’s Guide to Cyborgs, Aliens, and Sorcerers. Rev. by Michael Levy. JFA 13.4 (2003): 412-15.

Buker, Derek M. The Science Fiction and Fantasy Reader’s Advisory: The Librarian’s Guide to Cyborgs, Aliens, and Sorcerers. Rev. by Mike Levy. JFA 14.2 (2003): 286-89.

Bulwer-Lytton, Edward. Ed. and introd. David Seed. The Coming Race. Rev. by Sarah Canfield Fuller. JFA 18.1 (2007): 116-18.

Burger, Alissa. The Wizard of Oz as American Myth: A Critical Study of Six Versions of the Story, 1900-2007. Rev. by Matt Schumacher. JFA 25.2-3 (2014): 519-22. [490-93]

Burgos López, Campo Ricardo. Otros seres y otros mundos. Ensayos en literatura fantástica. Rev. by Lola López Martín. JFA 24.3 (2013): 531-35.

Burnham, Karen. Greg Egan. Rev. by Chad A. Hines. JFA 27.1 (2016): 114-17.

Burns, Marjorie. Perilous Realms: Celtic and Norse in Tolkien’s Middle-earth. Rev. by Faye Ringel. JFA 18.2 (2007): 257-60.

Burton, James. Philosophy and Science Fiction: Henri Bergson and the Fabulations of Philip L. Dick. Rev. by Chad A. Hines. JFA 27.2 (2016): 335-38.

Butler, Andrew M. Eternal Sunshine of the Spotless Mind. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

Butler, Andrew M. Solar Flares: Science Fiction in the 1970s. Rev. by Orion Ussner Kidder. JFA 25.2-3 (2014): 446-49. [417-20]

Butler, David. Fantasy Cinema: Impossible Worlds on Screen. Rev. by T. S. Miller. JFA 22.1 (2011): 121-24.

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Callaghan, Gavin. H. P. Lovecraft’s Dark Arcadia: The Satire, Symbology, and Contradiction. Rev. by Jeffrey Andrew Weinstock. JFA 25.1 (2014): 107-22.

Campbell, Lori M. Portals of Power: Magical Agency and Transformation in Literary Fantasy. Rev. by W. A. Senior. JFA 22.2 (2011): 299-302.

Campbell, Lori M. A Quest of Her Own: Essays on the Female Hero in Modern Fantasy. Rev. by Cait Coker. JFA 29.3 (2018): 449-52.

Canavan, Gerry, and Kim Stanley Robinson, eds. Green Planets: Ecology and Science Fiction. Rev. by Megan Mandell. JFA 26.3 (2015): 588-91.

Carrasco, Roció Carrasco. New Heroes on Screen: Prototypes of Masculinity in Contemporary Science Fiction Cinema. Rev. by John Garrison. JFA 18.3 (2007): 402-04.

Carrassi, Vito. The Irish Fairy Tale: A Narrative Tradition from the Middle Ages to Yeats and Stephens. Rev. by Sarah Cleto. JFA 25.2-3 (2014): 413-16. [384-87]

Carrère, Emmanuel. I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick. Rev. by Jason P. Vest. JFA 18.3 (2007): 425-30.

Carrington, André M. Speculative Blackness: The Future of Race in Science Fiction. Rev. by Marleen S. Barr. JFA 27.3 (2016): 509-511.

Carroll, Noël, and Lester H. Hunt, eds. Philosophy in The Twilight Zone. Rev. by Jason P. Vest. JFA 21.3 (2010): 480-85.

Carter, Margaret L. Different Blood: The Vampire as Alien. Rev. by Jim Holte. JFA 15.4 (2004): 374-76.

Cavallaro, Dani. The Gothic Vision: Three Centuries of Horror, Terror and Fear. Rev. by Robert Geary. JFA 17.2 (2006): 181-84.

Chambliss, Julian, William Sviatsky, and Thomas Donaldson. Ages of Heroes, Eras of Men: Superheroes and the American Experience. Rev. by Catherine Coker. JFA 26.1 (2015): 147-49.

Chance, Jane. The Lord of the Rings: The Mythology of Power. Rev. by Robert A. Collins. JFA 12.2 (2001): 213-15.

Chance, Jane, ed. Tolkien and the Invention of Myth: A Reader. Rev. by Carol Leibiger. JFA 16.2 (2005): 158-61.

Chance, Jane. Tolkien’s Art: A Mythology for England. Rev. by Verlyn Flieger. JFA 12.4 (2002): 440-42.

Chance, Jane, and Alfred K. Siewers, eds. Tolkien’s Modern Middle Ages. Rev. by W. A. Senior. JFA 19.1 (2008): 132-34.

Chaplin, Sue. The Gothic and the Rule of Law, 1764-1820. Rev. by Nadia van der Westhuizen. JFA 19.3 (2008): 447-49.

Chapman, Edgar L. The Road to Castle Mount: The Science Fiction of Robert Silverberg. Rev. by Arthur D. Hlavaty. JFA 11.2 (2000): 201-03.

Charnas, Suzy McKee. My Father’s Ghost, The Return of My Old Man and Other Second Chances. Rev. by Kathleen Ann Goonan. JFA 14.1 (2003): 126-29.

Cheng, John. Astounding Wonder: Imagining Science and Science Fiction in Interwar America. Rev. by Andrea Krafft. JFA 24.2 (2013): 334-37.

Cherry, Brigid. Horror. Rev. by Matt Yockey. JFA 23.1 (2012): 179-82.

Chude-Sokei, Louis. The Sound of Culture: Diaspora and Black Technopoetics. Rev. by Isiah Lavender III. JFA 29.2 (2018): 302-05.

Cisneros-Vizcaíno, Sandra, and Inés Ordiz. Latin American Gothic in Literature and Culture. Rev. by Audrey Taylor. JFA 29.2 (2018): 322-25.

Clark, Mark, and Bryan Senn. Sixties Shockers: A Critical Filmography of Horror Cinema, 1960-1969. Rev. by Cary Elza. JFA 24.1 (2013): 104-06.

Clarke, Amy M. Ursula K. Le Guin’s Journey to Post-Feminism. Rev. by Rebecca Testerman. JFA 22.3 (2011): 448-50.

Clasen, Mathias. Why Horror Seduces. Rev. by Sean Moreland. JFA 30.1 (2019): 120-23.

Clemens, Valine. The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien. Rev. by Mary Pharr. JFA 11.1 (2000): 115-18.

Clery, E. J. The Rise of Supernatural Fiction: 1762-1800. Rev. by Mary Pharr. JFA 11.4 (2001): 461-64.

Clery, E. J. The Rise of Supernatural Fiction: 1762-1800. Rev. by Jeffrey Andrew Weinstock. JFA 12.2 (2001): 237-42.

Clute, John. The Darkening Garden: A Short Lexicon of Horror. “Dark Enlightenment: On John Clute’s Darkening Garden.” Rev. by Leon Marvell. JFA 20.3 (2009): 406-12.

Clute, John. Strokes: Essays and Reviews 1966-1986. “Review Essay: Snobbery, Seasoned with Bile, Clute Is.” Rev. by Rob Latham. JFA 1.2 (1988): 83-94.

Clute, John, and John Grant, eds. The Encyclopedia of Fantasy. “Review: The Encyclopedia of Fantasy as a ‘Critical Tour de Force.’“ Rev. by Rob Latham. JFA 9.1 (1998): 69-76.

Clute, John, and Peter Nicholls, eds. The Encyclopedia of Science Fiction. “Encyclopedia Worth Waiting For.” Rev. by Rob Latham. JFA 6.4 (1995): 360-65.

Cochran, Peter, ed. The Gothic Byron. Rev. by Lisa Andres. JFA 21.2 (2010): 290-93.

Coelsch-Foisner, Sabine, and Sarah Herbe. New Directions in the European Fantastic. Rev. by Audrey Taylor. JFA 25.2-3 (2014): 534-36. [505-07]

Cohen, Jeffrey Jerome. Hybridity, Identity and Monstrosity in Medieval Britain: On Difficult Middles. Rev. by Edward James. JFA 19.3 (2008): 433-35.

Colbert, David. The Magical Worlds of Harry Potter: A Treasury of Myth, Legends, and Fascinating Facts. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Collings, Michael. Hauntings: The Official Peter Straub Biography. Rev. by Gary K. Wolfe. JFA 13.1 (2002): 104-06.

Collins, Jo, and John Jervis, eds. Uncanny Modernity: Cultural Theories, Modern Anxieties. Rev. by D. Harlan Wilson. JFA 21.3 (2010): 495-98.

Comprone, Raphael. Four Major Latin American Writers—Pablo Neruda, Mario Vargas Llosa, Carlos Fuentes, and Gabriel García Márquez. Rev. by Stephenie A. Young. JFA 20.2 (2009): 301-04.

Connolly, Jez. The Thing. Rev. by Steven Holmes. JFA 26.2 (2015): 376-78.

Connolly, Jez, and David Owen Bates. Dead of Night. Rev. by Simon Bacon. JFA 28.1 (2017): 123-28.

Conrad-O’Briain, Helen, and Gerard Hynes, eds. J. R. R. Tolkien: The Forest and the City. Rev. by Ian Faith. JFA 26.3 (2015): 577-80.

Conrich, Ian, and David Woods, eds. The Cinema of John Carpenter: The Technique of Terror. Rev. by J. Robert Craig. JFA 16.1 (2005): 62-64.

Cooke, Brett, George E. Slusser, and Jaume Marti-Olivella, eds. The Fantastic Other, An Interface of Perspectives. Rev. by George Aichele. JFA 11.1 (2000): 94-97.

Cooper, L. Andrew. Gothic Realities: The Impact of Horror Fiction on Modern Culture. Rev. by Ralph Beliveau. JFA 23.1 (2012): 116-18.

Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. Rev. by D. Harlan Wilson. JFA 19.2 (2008): 282-84.

Covalito, Jason. Knowing Fear: Science, Knowledge and the Development of the Horror Genre. “The Science of Horror, the Horror of Science.” Rev. by D. Harlan Wilson. JFA 20.1 (2009): 109-16.

Coville, Gary, and Patrick Lucanio. Jack the Ripper: His Life and Crimes in Popular Entertainment. Rev. by Virginia Harger-Grinling. JFA 12.1 (2001): 111-13.

Craughwell, Thomas J. Alligators in the Sewer and 222 Other Urban Legends. Rev. by James Kirkland. JFA 13.3 (2003): 299-308.

Crawford, Joseph. The Twilight of the Gothic?: Vampire Fiction and the Rise of Paranormal Romance 1991-2012. Rev. by Jeaneen K. Kish. JFA 27.1 (2016): 122-25.

Croft, Janet Brennan, ed. Tolkien and Shakespeare: Essays on Shared Themes and Languages. Rev. by Christine Cornell. JFA 22.1 (2011): 111-13.

Csicsery-Ronay, Istvan, Jr. The Seven Beauties of Science Fiction. “Beautiful Genre.” Rev. by Brian Attebery. JFA 21.1 (2010): 97-104.

Curry, Patrick. Defending Middle-Earth: Tolkien, Myth and Modernity. Rev. by T. A. Shippey. JFA 9.3 (1998): 251-53.

Curtis, Claire P. Postapocalyptic Fiction and the Social Contract: “We’ll Not Go Home Again”. Rev. by Matthew Masucci. JFA 25.2-3 (2014): 457-60. [428-31]

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Dalby, Richard, and William Hughes. Bram Stoker: A Bibliography. Rev. by Elizabeth Miller. JFA 15.4 (2004): 380-82.

Davies, Owen. The Haunted: A Social History of Ghosts. Rev. by Sladja Blazan. JFA 22.3 (2011): 395-98.

Davis, Colin. Haunted Subjects: Deconstruction, Psychoanalysis, and the Return of the Dead. “A Specter Is Haunting the Humanities.” Rev. by Jeffrey Andrew Weinstock. JFA 19.2 (2008): 238-45.

Day, David.A Tolkien Bestiary. Rev. by Charles W. Nelson. JFA 14.2 (2003): 293-95.

Decker, Mark E. Industrial Society and the Science Fiction Blockbuster: Social Critique in the Films of Lucas, Scott, and Cameron. Rev. by Vincent M. Gaine. JFA 27.3 (2016): 526-28.

DeGiglio-Bellemare, Mario, Charlie Ellbé, and Kristopher Woofter, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Rev. by Dawn Keetley. JFA 28.1 (2017): 147-50.

De Koster, Katie. Readings on Fahrenheit 451. Rev. by Robin Reid. JFA 12.1 (2001): 126-31.

De Koster, Katie. Readings on J. R. R. Tolkien. Rev. by Robin Reid. JFA 12.1 (2001): 126-31.

Del George, Dana. The Supernatural in Short Fiction of the Americas: The Other World in the New World. Rev. by Sharon Sieber. JFA 13.2 (2002): 196-98.

Del Pilar Blanco, María, and Esther Peeren, eds. Popular Ghosts: The Haunted Spaces of Everyday Culture. Rev. by M. Carmen Gómez-Galisteo. JFA 22.3 (2011): 418-21.

Dessy, Clément, and Valérie Stiénon. (Bé)vues du futur. Les imaginaires visuels de la dystopie (1840-1940) [Blunder/Views of the Future: Visual Imagination of Dystopias (1840-1940)]. Rev. by Sophie Beaulé. JFA 28.2 (2017): 293-97.

Diaz, Hernán. Borges, Between History and Eternity. Rev. by Robin McAllister. JFA 26.2 (2015): 402-04.

Dickerson, Matthew. A Hobbit Journey: Discovering the Enchantment of J. R. R. Tolkien’s Middle-Earth. Rev. by John W. Morehead. JFA 25.2-3 (2014): 473-76. [444-47]

Dickerson, Matthew, and Jonathan Evans. Ents, Elves, and Eriador: The Environmental Vision of J. R. R. Tolkien. Rev. by W. A. Senior. JFA 18.1 (2007): 133-36.

Dillon, Grace L. Walking the Clouds: An Anthology of Indigenous Science Fiction. Rev. by Adam Guzkowski. JFA 24.2 (2013): 332-33.

Dimolianis, Spiro. Jack the Ripper and Black Magic: Victorian Conspiracy Theories, Secret Societies and the Supernatural Mystique of the Whitechapel Murders. Rev. by Piers Michael Smith. JFA 24.1 (2013): 146-48.

Doherty, Thomas. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. “’Weirdies’ Point the Way.” Rev. by Rob Latham. JFA 2.2 (1989): 108-10.

Donovan, Leslie A. Approaches to Teaching Tolkien’s The Lord of the Ring and Other Works. Rev. by W. A.  Senior. JFA 27.2 (2016): 369-71.

Donovan, Stephen, ed. Volume 3. Speculative Fiction and Imperialism in Africa. Rev. by Paul Kincaid. JFA 26.1 (2015): 136-43.

Drakakis, John, and Dale Townshend, eds. Gothic Shakespeares. Rev. by Kristen McDermott. JFA 21.1 (2010): 115-19.

Driver, Martha W., and Sid Ray, eds. The Medieval Hero on Screen: Representations from Beowulf to Buffy. Rev. by Christine Mains. JFA 15.4 (2004): 377-79.

Duda, Heather L. The Monster Hunter in Modern Popular Culture. Rev. by Lynda Haas. JFA 20.3 (2009): 428-30.

Duggan, Anne. E. Enchantements désenchantés: Les contes queer de Jacques Demy. Rev. by Amy J.Ransom. JFA 28.1 (2017): 151-53.

Duggett, Tom. Gothic Romanticism: Architecture, Politics, and Literary Form. Rev. by Elizabeth Massa Hoiem. JFA 23.1 (2012): 119-22.

Durand, Kevin K., and Mary K. Leigh, eds. The Universe of Oz: Essays on Baum’s Series and Its Progeny. Rev. by Sydney Duncan. JFA 22.2 (2011): 267-69.

E

Eaglestone, Robert, ed. Reading The Lord of the Rings: New Writings on Tolkien’s Classic. Rev. by Don Riggs. JFA 17.2 (2006): 192-95.

Easton, Lee, and Randy Schroeder, eds. The Influence of Imagination: Essays on Science Fiction and Fantasy as Agents of Social Change. Rev. by Jason P. Vest. JFA 20.1 (2009): 150-54.

Eccleshare, Julia. A Guide to the Harry Potter Novels. Rev. by Amie Rose Rotruck. JFA 17.2 (2006): 196-98.

Eccleshare, Julia. A Guide to the Harry Potter Novels. Rev. by Brent Stypczynski. JFA 17.2 (2006): 199-204.

Edwards, Caroline, and Tony Venezia. China Miéville: Critical Essays. Rev. by Benjamin J. Robertson. JFA 27.2 (2016): 364-68.

Edwards, Justin D. Gothic Canada: Reading the Spectre of a National Literature. Rev. by Madeline Ashby. JFA 18.2 (2007): 247-50.

Edwards, Justin D. Gothic Passages: Racial Ambiguity and the American Gothic. Rev. by Jeffrey Andrew Weinstock. JFA 16.2 (2005): 165-69.

Edwards, Justin D. Technologies of the Gothic in Literature and Culture – Technogothics. Rev. by Anya Heise von der Lippe. JFA 28.1 (2017): 143-46.

Ekman, Stefan. Here Be Dragons: Exploring Fantasy Maps and Settings. Rev. by Caitlin Herington. JFA 26.1 (2015): 162-66.

Elbert, Monika, and Bridget M. Marshall. Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth Century. Rev. by Leigha McReynolds. JFA 26.1 (2015): 177-80.

Eller, Jonathan R. Becoming Ray Bradbury. Rev. by Andrea Krafft. JFA 25.2-3 (2014): 450-53. [421-24]

Elliott, Robert C. The Shape of Utopia: Studies in a Literary Genre. Rev. by Thomas J. Morrissey. JFA 29.3 (2018): 472-75.

Elliott-Smith, Darren. Queer Horror: Film and Television: Sexuality and Masculinity at the Margins. Rev. by Robert Lipscomb. JFA 28.2 (2017): 311-14.

Ellwood, Robert. Frodo’s Quest: Living the Myth in the Lord of the Rings. Rev. by Lori Lipoma. JFA 14.4 (2004): 489-93.

Erisman, Fred. Boys’ Books, Boys’ Dreams and the Mystique of Flight. Rev. by Ronald Thomas. JFA 18.3 (2007): 422-24.

Ettinger, Bracha L. The Matrixial Borderspace. Rev. by Jeremy Powell. JFA 22.1 (2011): 129-32.

Evans, Arthur B. Vintage Visions: Essays on Early Science Fiction. Rev. by T.S. Miller. JFA 28.3 (2017): 476-79.

Evans, Arthur B., Istvan Csicsery-Ronay, Jr., Joan Gordon, Veronica Hollinger, Rob Latham, and Carol McGuirk, eds. The Wesleyan Anthology of Science Fiction. Rev. by Jason P. Vest. JFA 23.1 (2012): 164-67.

Everett, Justin, and Jeffrey H. Shanks. The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror. Rev. by Sean A. Guynes. JFA 27.2 (2016): 332-34.

F

Falconer, Rachel. The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership. Rev. by Faye Ringel. JFA 21.2 (2010): 310-13.

Farghaly, Nadine, ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and the Films. Rev. by Lars Schmeink. JFA 27.1 (2016): 162-66.

Farley, Helen. A Cultural History of Tarot from Entertainment to Esotericism. Rev. by Emily E. Auger. JFA 21.2 (2010): 294-96.

Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of American Comics. Rev. by Sean A. Guynes. JFA 27.3 (2016): 532-35.

Feeley, Jennifer L., and Sarah Ann Wells. Simultaneous Worlds: Global Science Fiction Cinema. Rev. by Mark Azzopardi. JFA 27.2 (2016): 309-13.

Fenton, Robert W. Edgar Rice Burroughs and Tarzan: A Biography of the Author and His Creation. Rev. by Matt Yockey. JFA 24.2 (2013): 385-88.

Fernbach, Amanda. Fantasies of Fetishism: From Decadence to the Post-Human. Rev. by Gregory Frost. JFA 14.1 (2003): 116-19.

Fimi, Dimitra. Tolkien, Race and Cultural History: From Fairies to Hobbits. Rev. by Jennifer L. Miller. JFA 23.1 (2012): 138-40.

Fimi, Dimitra, and Andrew Higgins. A Secret Vice: Tolkien on Invented Languages. Rev. by Dennis Wilson Wise. JFA 27.3 (2016): 549-52.

Fincher, Max. Queering Gothic in the Romantic Age: The Penetrating Eye. “Out of the Closet and Into the Classroom: Queer Gothic.” Rev. by Jeffrey Andrew Weinstock. JFA 22.1 (2011): 75-91.

Fioretti, Daniele. Utopia and Dystopia in Postwar Italian Literature: Pasolini, Calvino, Sanguineti, Volponi. Rev. by Sarah M. Gawronski.  JFA 29.1 (2018): 113-15.

Fisher, Jason, ed. Tolkien and the Study of His Sources: Critical Essays. Rev. by Emily E. Auger. JFA 23.1 (2012): 108-10.

Flieger, Verlyn. Green Suns and Faërie: Essays on Tolkien. Rev. by Corey J. Zwickstra. JFA 25.1 (2014): 194-96.

Flieger, Verlyn. A Question of Time: J. R. R. Tolkien’s Road to Faërie. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Flieger, Verlyn. A Question of Time: J. R. R. Tolkien’s Road to Faërie. Rev. by Richard C. West. JFA 9.3 (1998): 247-51.

Flieger, Verlyn. Splintered Light: Logos and Language in Tolkien’s World. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Forshaw, Barry. British Gothic Cinema. Rev. by Matt Yockey. JFA 26.2 (2015): 432-35.

Forshaw, Barry. The War of the Worlds. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

Foster, Robert. The Complete Guide to Middle-earth, through The Lord of the Rings and Beyond. Rev. by Charles W. Nelson. JFA 13.2 (2002): 190-92.

Fowkes, Katherine A. The Fantasy Film. Rev. by Emily Midkiff. JFA 24.2 (2013): 342-45.

Francis, James, Jr. Remaking Horror: Hollywood’s New Reliance on the Scares of Old. Rev. by Joshua Richardson. JFA 26.2 (2015): 412-15.

Frankel, Valerie Estelle. Buffy and the Heroine’s Journey: Vampire Slayer as Feminine Chosen One. Rev. by Katherine E. Whaley. JFA 24.3 (2013): 557-60.

Frankel, Valerie Estelle. Teaching With Harry Potter. Rev. by Don Riggs. JFA 25.2-3 (2014): 511-14. [482-85]

Fraser, Lucy. The Pleasures of Metamorphosis: Japanese and English Fairy Tales Transformations of “The Little Mermaid”. Rev. by Sylvia Veronic Morin. JFA 29.1 (2018): 122-25.

Freedman, Carl. Art and Idea in the Novels of China Miéville. Rev. by Benjamin J. Robertson. JFA 27.2 (2016): 364-68.

Friedman, Lester G., and Brent Notbohm, eds. Steven Spielberg: Interviews. Rev. by Miguel A. Ramos. JFA 13.3 (2003): 291-95.

Frost, Brian J. The Essential Guide to Mummy Literature. Rev. by Roger C. Schlobin. JFA 22.2 (2011): 286-91.

Frost, Brian J. The Essential Guide to Werewolf Literature. Rev. by J. Robert Craig. JFA 15.3 (2004): 254-56.

Fry, Carroll L. Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film. Rev. by J. Robert Craig. JFA 20.2 (2009): 277-79.

G

Gallardo C., Ximena, and C. Jason Smith. Alien Woman: The Making of Lt. Ellen Ripley. Rev. by Stacie L. Hanes. JFA 16.2 (2005): 155-57.

Gallardo C., Ximena, and C. Jason Smith. Alien Woman: The Making of Lt. Ellen Ripley. Rev. by Lorrie Palmer. JFA 16.4 (2006): 385-89.

García, Patricia. Space and the Postmodern Fantastic in Contemporary Literature: The Architectural Void. Rev. by Dale Knickerbocker. JFA 27.2 (2016): 339-41.

Gardner, Carolyn Adele. Rewriting the Women of Camelot: Arthurian Popular Fiction and Feminism. Rev. by Ann F. Howey. JFA 15.1 (2004): 67-69.

Garth, John. Tolkien and the Great War: The Threshold of Middle-earth. Rev. by W. A. Senior. JFA 15.3 (2004): 271-78.

Gaspar, Enrique. The Time Ship: A Chrononautical Journey. Rev. by Pedro Ponce. JFA 25.1 (2014): 174-77.

Gelder, Ken, ed. The Horror Reader. Rev. by Ted Bailey. JFA 12.4 (2002): 437-39.

Geoghegan, Vincent. Utopianism and Marxism. Rev. by Thomas J. Morrissey. JFA 21.1 (2010): 124-27.

George, Susan A., and Regina M. Hansen, eds. Supernatural, Humanity, and the Soul: On the Highway to Hell and Back. Rev. by D. Felton. JFA 27.1 (2016): 102-05.

Geraghty, Lincoln. Living with Star Trek: American Culture and the Star Trek Universe. Rev. by Karen Hellekson. JFA 19.1 (2008): 112-15.

Germanà, Monica. Scottish Women’s Gothic and Fantastic Writing: Fiction since 1978. Rev. by Maura Heaphy. JFA 25.1 (2014): 145-47.

Gibson, Matthew. Dracula and the Eastern Question: British and French Vampire Narratives of the Nineteenth-Century Near East. Rev. by Margaret L. Carter. JFA 18.1 (2007): 109-11.

Gifford, James. A Modernist Fantasy: Modernism, Anarchism, and the Radical Fantastic. Rev. by Benjamin J. Robertson. JFA 30.1 (2019): 129-31.

Gillis, Stacy, ed. The Matrix Trilogy: Cyberpunk Reloaded. Rev. by Graham J. Murphy. JFA 19.2 (2008): 260-64.

Gilliver, Peter, Jeremy Marshall, and Edmund Weiner. The Ring of Words: Tolkien and the Oxford English Dictionary. Rev. by W. A. Senior. JFA 21.3 (2010): 476-79.

Ginn, Sherry, and Michael G. Cornelius. The Sex is Out of This World: Essays on the Carnal Side of Science Fiction. Rev. by Elizabeth Lundberg. JFA 26.1 (2015): 174-76.

Glassy, Mark C. The Biology of Science Fiction Cinema. Rev. by Tim Sullivan. JFA 13.4 (2003): 419-21.

Glyer, Diana Pavlac. Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings. Rev. by James Hamby. JFA 27.3 (2016): 536-38.

Glyer, Diana Pavlac. The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community. Rev. by Amie Rose Rotruck. JFA 18.1 (2007): 130-32.

Gold, Judith Taylor. Monsters & Madonnas: The Roots of Christian Anti-Semitism. Rev. by James Whitlark. JFA 11.3 (2000): 331-33.

Gomel, Elana. Postmodern Science Fiction and Temporal Imagination. Rev. by Mark Young. JFA 24.1 (2013): 162-65.

Goodrich, Peter H., and Raymond H. Thompson, eds. Merlin: A Casebook. Rev. by C. W. Sullivan, III. JFA 15.3 (2004): 279-80.

Gordon, Andrew. Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. Rev. by Jen Schneider. JFA 20.3 (2009): 437-40.

Gözen, Jiré Emine. Cyberpunk Science Fiction: Literarische Fiktionen und Medientheorie [Literary Fiction and Media Theory]. Rev. by Lars Schmeink. JFA 26.2 (2015): 416-18.

Grant, Michael, ed. The Modern Fantastic: The Films of David Cronenberg. Rev. by Michael Arnzen. JFA 14.4 (2004): 474-77.

Gray, William. Death and Fantasy: Essays on Philip Pullman, C. S. Lewis, George MacDonald, and R. L. Stevenson. Rev. by Stacie L. Hanes. JFA 21.1 (2010): 109-11.

Gray, William. Fantasy, Art, and Life: Essays on George MacDonald, Robert Louis Stevenson, and Other Fantasy Writers. Rev. by Johanna Brinkley Tomlinson. JFA 25.2-3 (2014): 537-40. [508-11]

Green, Richard Firth. Elf Queens and Holy Friars: Fairy Beliefs in the Medieval Church. Rev. by Amanda Madden. JFA 28.3 (2017): 473-75.

Gresh, Lois, and Robert Weinberg. The Computers of Star Trek. Rev. by Fred D. White. JFA 12.3 (2001): 354-56.

Griep, Mark, and Marjorie Mikasen. ReAction!: Chemistry in the Movies. Rev. by Patrick R. Casey. JFA 22.3 (2011): 405-07.

Griffin, Michael J., and Tom Moylan, eds. Exploring the Utopian Impulse: Essays on Utopian Thought and Practice. Rev. by Thomas J. Morrissey. JFA 20.2 (2009): 286-89.

Grimes, Hilary. The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing. Rev. by Leigha McReynolds. JFA 25.2-3 (2014): 465-68. [436-39]

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Grossman, Leigh Ronald. Sense of Wonder: A Century of Science Fiction. Rev. by Jason P. Vest. JFA 24.2 (2013): 381-84.

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Haber, Erika. Oz Behind the Iron Curtain: Aleksandr Volkov and His Magic Land Series. Rev. by Sean Ferrier-Watson. JFA 30.1 (2019): 110-12.

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Haefele-Thomas, Ardel. Queer Others in Victorian Gothic: Transgressing Monstrosity. Rev. by Sarah Canfield. JFA 27.1 (2016): 99-101.

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Haining, Peter. The Classic Era of American Pulp Magazines. Rev. by Tim Sullivan. JFA 14.4 (2004): 497-500.

Hampton, Gregory Jerome. Changing Bodies in the Fiction of Octavia Butler: Slaves, Aliens, and Vampires. Rev. by Isiah Lavender, III. JFA 23.1 (2012): 131-33.

Hantke, Steffen. Monsters in the Machine: Science Fiction and the Militarization of America After World War II. Rev. by Rob Latham. JFA 30.1 (2019): 116-19.

Harman, Graham. Weird Realism, Lovecraft, and Philosophy. Rev. by Jeffrey Weinstock. JFA 25.1 (2014): 107-22.

Harmes, Marcus, and Victoria Bladen, eds. Supernatural and Secular Power in Early Modern England. Rev. by Kristen McDermott. JFA 27.1 (2016): 133-36.

Harper, Graeme, and Rob Stone, eds. The Unsilvered Screen: Surrealism on Film. Rev. by Stefan Hall. JFA 20.1 (2009): 129-32.

Harriman, Lucas H., ed. Lilith in a New Light: Essays on the George MacDonald Fantasy Novel. Rev. by Jodi Gallagher. JFA 20.1 (2009): 126-28.

Harris, Jason Mark. Folklore and the Fantastic in Nineteenth-Century British Fiction. Rev. by Timothy H. Evans. JFA 19.2 (2008): 250-53.

Harty, Kevin J., ed. King Arthur on Film: New Essays on Arthurian Cinema. Rev. by Kelly A. O’Connor-Salomon. JFA 12.2 (2001): 223-29.

Hassler, Donald M., and Clyde Wilcox, eds. New Boundaries in Political Science Fiction. Rev. by Roslyn Weaver. JFA 20.3 (2009): 445-48.

Haut, Mavis. The Hidden Library of Tanith Lee: Themes and Subtexts from Dionysos to the Immortal Gene. Rev. by Christine Mains. JFA 14.2 (2003): 290-92.

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Heldreth, Leonard G., and Mary Pharr, eds. The Blood Is the Life: Vampires in Literature. Rev. by Elizabeth Miller. JFA 11.2 (2000): 207-09.

Helford, Elyce Rae, ed. Fantasy Girls: Gender in the New Universe of Science Fiction and Fantasy Television. Rev. by Fiona Kelleghan. JFA 12.2 (2001): 216-19.

Hellekson, Karen, and Kristina Busse, eds. Fan Fiction and Fan Communities in the Age of the Internet: New Essays. Rev. by Alicia Verlager. JFA 20.1 (2009): 147-49.

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Henderson, C. J. The Encyclopedia of Science Fiction Movies from 1897 to the Present. Rev. by Tim Sullivan. JFA 14.3 (2003): 382-84.

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Herald, Diana Tixier. Fluent in Fantasy: A Guide to Reading Interests. Rev. by Gail de Vos. JFA 11.1 (2000): 98-99.

Herbe, Sarah. Characters in New British Hard Science Fiction: With a Focus on Genetic Engineering in Paul McAuley, Alastair Reynolds and Brian Stableford. Rev. by Maura Heaphy. JFA 24.3 (2013): 503-05.

Hermanson, Anne. The Horror Plays of the English Restoration. Rev. by James Hamby. JFA 28.1 (2017): 136-39.

Higgens, Deborah A. Anglo-Saxon Community in J. R. R. Tolkien’s The Lord of the Rings. Rev. by Carol A. Leibiger. JFA 27.3 (2016): 539-42.

Higgins, David M. “Anti-Leninists in Space.” Rev. of Red Planets: Marxism and Science Fiction, by Mark Bould and China Miéville, eds. JFA 22.2 (2011): 257-62.

Higley, Sarah L., and Jeffrey Andrew Weinstock, eds. Nothing That Is: Millennia Cinema and the Blair Witch Controversies. Rev. by Carl Boehm. JFA 15.4 (2004): 369-71.

Hilder, Monika B. The Gender Dance: Ironic Subversion in C. S. Lewis’s Cosmic Trilogy. Rev. by Richard C. West. JFA 26.3 (2015): 621-28.

Hilder, Monika B. Surprised by the Feminine: A Rereading of C. S. Lewis and Gender. Rev. by Richard C. West. JFA (2015): 621-28.

Hill, John M. The Narrative Pulse of Beowulf: Arrivals and Departures. Rev. by Frances Auld. JFA 20.1 (2009): 117-20.

Hillard, Molly Clark. Spellbound: The Fairy Tale and the Victorians. Rev. by Regina M. Hansen. JFA 27.1 (2016): 106-08.

Hills, Matt. The Pleasures of Horror. Rev. by Sherryl Vint. JFA 17.4 (2007): 409-13.

Hirsjärvi, Irma. Faniuden siirtymiä: Suomalaisen science fiction fandomin verkostot [Mediations of Fandom: The Networking of Finnish Science Fiction Fandom]. Rev. by Liisa Rantalaiho. JFA 21.3 (2010): 468-71.

Hoeveler, Diane Long. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Rev. by C. A. Gardner. JFA 12.3 (2001): 341-44.

Holden, Rebecca J., and Nisi Shawl, eds. Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia Butler. Rev. by Laurel Bollinger. JFA 26.1 (2015): 144-46.

Holland, Nancy J. Ontological Humility: Lord Voldemort and the Philosophers. Rev. by Peter Admirand. JFA 26.2 (2015): 361-64.

Hollinger, Veronica, and Joan Gordon, eds. Edging into the Future: Science Fiction and Contemporary Cultural Transformation. Rev. by Farah Mendlesohn. JFA 13.3 (2003): 313-23.

Honda, Mineko. The Imaginative World of C. S. Lewis: A Way to Participate in Reality. Rev. by Margaret L. Carter. JFA 11.3 (2000): 331-13.

Honegger, Thomas, ed. Root and Branch—Approaches to Understanding Tolkien. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Honores, Elton. Mundos imposibles: lo fantástico en la narrativa peruana. Rev. by Aaron Dziubinskyj. JFA 24.2 (2013): 325-28.

Hopkins, Lisa. Bram Stoker: A Literary Life. Rev. by Elizabeth Miller. JFA 18.2 (2007): 254-56.

Horner, Avril, and Sue Zlosnik, eds. Le Gothic: Influences and Appropriations in Europe and America. Rev. by Muireann Maguire. JFA 22.1 (2011): 117-20.

Horstkotte, Martin. The Postmodern Fantastic in Contemporary British Fiction. Rev. by Nicholas Ruddick. JFA 16.1 (2005): 75-78.

Houston, Gail Turley. From Dickens to Dracula: Gothic, Economics, and Victorian Fiction. Rev. by Rebecca Janicker. JFA 19.1 (2008): 116-18.

Howarth, Michael. Under the Bed, Creeping: Psychoanalyzing the Gothic in Children’s Literature. Rev. by Karen Coats. JFA 26.2 (2015): 369-72.

Howey, Ann F., and Stephen R. Reimer, eds. A Bibliography of Modern Arthuriana. Rev. by W. A. Senior. JFA 17.4 (2007): 402-04.

Hubble, Nick, and Aris Mousoutzanis, eds. The Science Fiction Handbook. Rev. by Amy J. Ransom. JFA 27.1 (2016): 89-95.

Huckvale, David. James Bernard, Composer to Count Dracula. Rev. by Dennis R. Perry. JFA 24.1 (2013): 139-41.

Hughes, William, and Andrew Smith, eds. Queering the Gothic. “Out of the Closet and Into the Classroom: Queer Gothic.” Rev. by Jeffrey Andrew Weinstock. JFA 22.1 (2011): 75-91.

Hume, Kathryn. American Dream, American Nightmare: Fiction since 1960. Rev. by Ádám Molnár. JFA 12.4 (2002): 447-49.

Humphries, Reynold. The Hollywood Horror Film, 1931-1941: Madness in a Social Landscape. Rev. by Ronald C. Thomas, Jr. JFA 19.3 (2008): 444-46.

Hunt, Peter, and Millicent Lenz. Alternative Worlds in Fantasy Fiction. Rev. by Madeline Ashby. JFA 17.4 (2007): 383-86.

Hunt, Peter, and Millicent Lenz. Alternative Worlds in Fantasy Fiction. Rev. by Amanda Cockrell. JFA 17.4 (2007): 387-90.

Huntington, John, ed. Star Begotten: A Biological Fantasia. Rev. by Nicholas Ruddick. JFA 17.4 (2007): 398-401.

Hutchisson, James M. Edgar Allan Poe: Beyond Gothicism. Rev. by Paul Lewis. JFA 24.1 (2013): 128-30.

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Iaccino, James F. Jungian Reflections within the Cinema: A Psychological Analysis of Sci-Fi and Fantasy Archetypes. Rev. by Donald E. Palumbo. JFA 12.2 (2001): 230-33.

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Jah, Muhammad Husain. Hoshruba: The Land and the Tilism. Rev. by Anna C. Oldfield. JFA 22.1 (2011): 125-28.

Jalil, Tariq, dir. A Galaxy Far Away. Rev. by Will Brooker. JFA 14.1 (2003): 102-05.

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Jones, Christine A. Mother Goose Refigured: A Critical Translation of Charles Perrault’s Fairy Tales. Rev. by James Hamby. JFA 28.1 (2017): 140-42.

Jones, Gwyneth. Imagination/Space: Essays and Talks on Fiction, Feminism, Technology, and Politics. Rev. by Daryl Ritchot. JFA 22.3 (2011): 445-47.

Jones, Leslie Ellen. Myth and Middle-earth: Exploring Legends behind J. R. R. Tolkien’s The Hobbit and the Lord of the Rings. Rev. by W. A. Senior. JFA 15.3 (2004): 271-78.

Jones, Steven Swann. The Fairy Tale: The Magic Mirror of the Imagination. Rev. by Christine Mains. JFA 16.1 (2005): 69-71.

Joshi, S. T. Critical Essays on Lord Dunsany. Rev. by Eric Reinders. JFA 26.1 (2015): 200-03.

Joshi, S. T., and Stefan Dziemianowicz, eds. Supernatural Literature of the World: An Encyclopedia. Rev. by Stephanie Moss. JFA 21.1 (2010): 120-23.

Jowett, Lorna, and Stacy Abbott. TV Horror: Investigating the Dark Side of the Small Screen. Rev. by Rebecca Janicker. JFA 28.3 (2017): 470-72.

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Kamrath, Mark L. The Historicism of Charles Brockden Brown: Radical History and the Early Republic. Rev. by Sarah Blythe. JFA 24.1 (2013): 97-100.

Karg, Ina, and Iris Mende. Kulturphänomen Harry Potter. Multiaddressiertheit und Internationalität eines nationalen Literatur- und Medienevents [The Cultural Phenomenon of Harry Potter: Multiple-audience Directedness and Internationality of a National Literary and Cultural Event]. Rev. by Bruce A. Beatie. JFA 23.1 (2012): 111-15.

Kaveny, Roz. Reading the Vampire Slayer: The Unofficial Critical Companion to Buffy and Angel. Rev. by Fiona Kelleghan. JFA 15.1 (2004): 73-79.

Keane, Stephen. Disaster Movies: The Cinema of Catastrophe. Rev. by Roslyn Weaver. JFA 19.2 (2008): 279-81.

Kee, Chera. Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks. Rev. by T. May Stone. JFA 30.1 (2019): 136-39.

Keefer, Sarah Larratt, Karen Louise Jolly, and Catherine E. Karkov, eds. Cross and Cruciform in the Anglo-Saxon World: Studies to Honor the Memory of Timothy Reuter. Rev. by Piers Michael Smith. JFA 23.1 (2012): 161-63.

Keetley, Dawn, ed. “We’re All Infected”: Essays on AMC’s The Walking Dead and the Fate of the Human. Rev. by Lars Schmeink. JFA 27.1 (2016): 162-66.

Keetley, Dawn, and Angela Tenga. Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film. Rev. by Steven Shaviro. JFA 28.1 (2017): 160-62.

Kerman, Judith B., and John Edgar Browning, eds. The Fantastic in Holocaust Literature and Film: Critical Perspectives. Rev. by Vibeka Rützou Petersen. JFA 27.1 (2016): 143-46.

Kermode, Mark. Silent Running. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

Kerry, Paul. The Ring and the Cross: Christianity and the Lord of the Rings. Rev. by Corey Latta. JFA 23.1 (2012): 128-30.

Ketterer, David, ed. Flashes of the Fantastic: Selected Essays from The War of the Worlds Centennial, Nineteenth International Conference on the Fantastic in the Arts. Rev. by J. Monica Germana. JFA 16.2 (2005): 152-54.

Keyworth, David. Troublesome Corpses: Vamipires & Revenants from Antiquity to the Present. “The Proliferating Undead.” Rev. by Jeffrey Andrew Weinstock. JFA 19.3 (2008): 399-414.

Kidd, Kenneth B. Freud in Oz: At the Intersections of Psychoanalysis and Children’s Literature. Rev. by Gretchen Papazian. JFA 24.2 (2013): 355-58.

Kidd, Michael. Stages of Desire: The Mythological Tradition in Classical and Contemporary Spanish Theater. Rev. by Dale Knickerbocker. JFA 11.1 (2000): 108-11.

Killeen, Jarlath. The Emergence of Irish Gothic Fiction: History, Origins, Theories. Rev. by Mark De Cicco. JFA 26.1 (2015): 150-53.

Kincaid, Paul. What It Is We Do When We Read Science Fiction. Rev. by Brian Attebery. JFA 19.3 (2008): 415-17.

Klimek, Sonia, Tobias Lamprecht, and Tom Kindt. Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film mach 1945 [Functions of the Fantastic. New Forms of World Reference in Literature and Film after 1945]. Rev. by Bruce Beatie. JFA 28.2 (2017): 290-92.

Klinger, Leslie, ed. The New Annotated Dracula. Rev. by Jim Holte. JFA 19.3 (2008): 430-32.

Koch, Sebastian. Der Kampf des Helden gegen den ‘egeslîchen trachen.’ Zur narrative Funktion des Topos vom Drachenkampf in vergleichender Perspektive [The Heroic Struggle Against the Terrible Dragons: The Narrative Function of the Dragon Fight in Comparative Perspectives]. Rev. by Vibeka Rützou Petersen. JFA 28.2 (2017): 319-21.

Kocher, Paul H. Master of Middle-earth: The Fiction of J. R. R. Tolkien. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Kolker, Robert, ed. Stanley Kubrick’s 2001: A Space Odyssey: New Essays. Rev. by David N. Samuelson. JFA 18.2 (2007): 261-65.

Kolker, Robert, ed. Stanley Kubrick’s 2001: A Space Odyssey: New Essays. Rev. by C. Jason Smith. JFA 18.2 (2007): 266-69.

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Kruger, Steven F. The Spectral Jew: Conversion and Embodiment in Medieval Europe. Rev. by Jeffrey Jerome Cohen. JFA 17.1 (2006): 90-92.

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Lancaster, Kurt. Warlocks and Warpdrive: Contemporary Fantasy Entertainments with Interactive and Virtual Environments. “Warlocks and Warpdrive.” Rev. by Eric D. Mason. JFA 10.4 (2000): 446-48.

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Latham, Rob. Consuming Youth: Vampires, Cyborgs, & the Culture of Consumption. Rev. by Jeffrey Andrew Weinstock. JFA 14.3 (2003): 385-88.

Latham, Rob. The Oxford Handbook of Science Fiction. Rev. by Amy J. Ransom. JFA 27.1 (2016): 89-95.

Latham, Rob. Science Fiction Criticism: An Anthology of Essential Writings. Rev. by Cait Coker. JFA 29.1 (2018): 90-93.

Lau, Kimberly J. Erotic Infidelities: Love and Enchantment in Angela Carter’s The Bloody Chamber. Rev. by Bernardo, Susan M. JFA 29.3 (2018): 445-48.

Lauro, Sarah Juliet. The Transatlantic Zombie: Slavery, Rebellion, and the Living Dead. Rev. by Kyle William Bishop. JFA 27.2 (2016): 318-20.

Lauro, Sarah Juliet. Zombie Theory: A Reader. Rev. by Samirah Alkassim. JFA 30.1 (2019): 103-06.

Lavery, David. Joss Whedon, A Creative Portrait: From Buffy the Vampire Slayer to The Avengers. Rev. by Nellene Benhardus. JFA 26.3 (2015): 567-69.

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Layh, Susanna. Finstere neue Welten: Gattungsparadigmatische Transformationen der literarischen Utopie und Dystopie [Dark New Worlds. Paradigmatic Genre Transformations in Literary Utopias and Dystopias]. Rev. by Simon Spiegel. JFA 28.1 (2017): 163-65.

Layton, David. The Humanism of Doctor Who: A Critical Study in Science Fiction and Philosophy. Rev. by L. N. Rosales. JFA 24.3 (2013): 550-52.

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Le Guin, Ursula K. Cheek by Jowl: Talks and Essays on How and Why Fantasy Matters. Rev. by Amanda Cockrell. JFA 22.1 (2011): 108-10.

Leane, Elizabeth. Antarctica in Fiction: Imaginative Narratives of the Far South. Rev. by Jeffrey Andrew Weinstock. JFA 25.1 (2014): 190-93.

Lehrich, Christopher I. The Occult Mind: Magic in Theory and Practice. Rev. by Leon Marvell. JFA 18.3 (2007): 409-11.

Lethem, Jonathan, and Pamela Jackson, eds. The Exegesis of Philip K. Dick. Rev. by Jason P. Vest. JFA 26.2 (2015): 353-60.

Letson, Russell. Jack Vance: Critical Appreciations and a Bibliography. Rev. by A. E. Cunningham. JFA 14.3 (2003): 370-72.

Levina, Marina, and Diem-My T. Bui, eds. Monster Culture in the 21^st Century: A Reader. Rev. by Jeffrey Andrew Weinstock. JFA 27.3 (2016): 494-504.

Levitas, Ruth. The Concept of Utopia. Rev. by Thomas J. Morrissey. JFA 22.2 (2011): 282-85.

Levy, Michael, and Farah Mendlesohn. Children’s Fantasy Literature: An Introduction. Rev. by Anelise Farris. JFA 27.3 (2016): 522-25.

Lim, Bliss Cua. Translating Time: Cinema, the Fantastic, and Temporal Critique. Rev. by Stephenie A. Young. JFA 24.1 (2013): 166-69.

Lima, Robert. Stages of Evil: Occultism in Western Theater and Drama. Rev. by Dayana Stetco. JFA 16.4 (2006): 374-76.

Lindgren Leavenworth, Maria, and Malin Isaakson. Fanged Fan Fiction: Variations on Twilight, True Blood, and The Vampire Diaries. Rev. by Catherine Coker. JFA 25.2-3 (2014): 417-19. [388-90]

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Lloyd-Smith, Alan. American Gothic Fiction: An Introduction. Rev. by Jeffrey Andrew Weinstock. JFA 18.1 (2007): 141-44.

Lobdell, Jared. Eight Children in Narnia: The Making of a Children’s Story. Rev. by Anelise Farris. JFA 29.1 (2018): 98-100.

Longinovic, Tomislav, ed. Vampires Over the Ages: A Cultural Analysis of Scientific, Literary, and Cinematic Representations. Rev. by Carol Senf. JFA 27.1 (2016): 167-69.

López-Pellisa, Teressa. Patologías de la realidad virtual. Cibercultura y ciencia ficción [Pathologies of Virtual Reality: Cyberculture and Science Fiction]. Rev. by Andres Garcia-Londoño. JFA 28.1 (2017): 133-35.

Lovecraft, H. P. The Classic Horror Stories, edited by Roger Luckhurst. Rev. by Jeffrey Weinstock. JFA 25.1 (2014): 107-22.

Lovecraft, H. P. New Critical Essays on H. P. Lovecraft, edited by David Simmons. Rev. by Jeffrey Weinstock. JFA 25.1 (2014): 107-22.

Lovén, Svante. Also Make the Heavens: Virtual Realities in Science Fiction. Rev. by Tanner Jupin. JFA 22.3 (2011): 426-29.

Lowenstein, Adam. Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film. Rev. by Stephenie Young. JFA 17.1 (2006): 85-89.

Lucanio, Patrick, and Gary Coville. Smokin’ Rockets: The Romance of Technology in American Film, Radio, and Television, 1945-1962. Rev. by Joe Sanders. JFA 13.4 (2003): 416-18.

Lucht, Marc, and Donna Yarri. Kafka’s Creatures: Animals, Hybrids, and Other Fantastic Beings. Rev. by Gabrielle Kristjanson. JFA 24.3 (2013): 524-27.

Luckhurst, Roger. Alien. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

Luckhurst, Roger. The Mummy’s Curse: The True History of a Dark Fantasy. Rev. by Mark De Cicco. JFA 25.1 (2014): 142-44.

Lunning, Frenchy, ed. Mechademia 1: Emerging Worlds of Anime and Manga. Rev. by Stefan Hall. JFA 18.3 (2007): 405-08.

Lunning, Frenchy, ed. Mechademia 2: Networks of Desire. Rev. by Stefan Hall. JFA 20.1 (2009): 133-36.

Lunning, Frenchy. Mechademia 7: Lines of Sight. Rev. by Steven Holmes. JFA 25.2-3 (2014): 431-34. [402-05]

Lunning, Frenchy. Mechademia 8: Tezuka’s Manga Life. Rev. by Jessica Stanley. JFA 28.1 (2017): 173-75.

Lunning, Frenchy, ed. Mechademia: Origins. Vol. 9. Rev. by Laurel Tilot. JFA 27.1 (2016): 180-82.

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Macdonald, Kate, general ed. Political Future Fiction: Speculative and Counter-Factual Politics in Edwardian Fiction. Rev. by Paul Kincaid. JFA 26.1 (2015): 136-43.

Macdonald, Kate, general ed. Volume 2. Fictions of a Feminist Future. Rev. by Paul Kincaid. JFA 26.1 (2015): 136-43.

Mackay, Robin, and Damian Veal, eds. Collapse: Philosophical Research and Development IV. Rev. by Roger C. Schlobin. JFA 21.1 (2010): 128-31.

Macpherson, Heidi Slettedahl. The Cambridge Introduction to Margaret Atwood. Rev. by Anya Heise-von der Lippe. JFA 24.3 (2013): 506-10.

Magid, Annette. Apocalyptic Projections: A Study of Past Predictions, Current Trends, and Future Intimations as Related to Film and Literature. Rev. by Boddhisattva Chattopadhyay. JFA 28.1 (2017): 129-32.

Magnanini, Suzanne. Fairy-Tale Science: Monstrous Generation in the Tales of Straparola and Basile. Rev. by Tina-Louise Reid. JFA 21.2 (2010): 307-09.

Manlove, Colin. The Fantasy Literature of England. Rev. by W. A. Senior. JFA 11.3 (2000): 321-24.

Manlove, Colin. Scotland’s Forgotten Treasure: The Visionary Romances of George MacDonald. Rev. by James Hamby. JFA 29.2 (2018): 296-98.

Mariconda, Steven J. H. P. Lovecraft: Art, Artifact, and Reality. Rev. by Sean Matharoo. JFA 26.2 (2015): 399-401.

Marriott, James. The Descent. Rev. by Joshua Richardson. JFA 25.2-3 (2014): 507-10. [478-81]

Marshall, C. W., and Tiffany Potter, eds. Cylons in America: Critical Studies in Battlestar Galactica. Rev. by Lacy Hodges. JFA 19.2 (2008): 254-56.

Martin, Ann. Red Riding Hood and the Wolf in Bed: Modernism’s Fairy Tales. Rev. by Cary Elza. JFA 21.1 (2010): 105-08.

Marvin, Thomas F. Kurt Vonnegut: A Critical Companion. Rev. by Donald E. Morse. JFA 13.3 (2003): 324-27.

Masri, Heather, ed. Science Fiction: Stories and Contexts. Rev. by Monty Vierra. JFA 21.1 (2010): 140-43.

Mass, Wendy, and Stuart P. Levine, eds. Fantasy. Rev. by Christine Mains. JFA 15.2 (2005): 165-67.

Mathews, Cheyenne, and Janet V. Haedicke, eds. Reading Richard Matheson: A Critical Survey. Rev. by Amy J. Ransom. JFA 26.2 (2015): 408-11.

Mathews, Richard. Fantasy: The Liberation of the Imagination. Rev. by C. W. Sullivan, III. JFA 14.1 (2003): 120-22.

Mathijs, Ernest. John Fawcett’s Ginger Snaps. Rev. by Aalya Ahmad. JFA 26.3 (2015): 551-54.

McAleer, Patrick, and Michael A. Perry. Stephen King’s Modern Macabre: Essays on the Later Works. Rev. by Justin Wigard. JFA 29.3 (2018): 494-96.

McAuley, Paul. Brazil. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 245-50.

McCallum, Lawrence. Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers. Rev. by Douglas E. Winter. JFA 11.4 (2001): 484-87.

McCarthy, Helen. 500 Manga Heroes & Villains. Rev. by Stefan Hall. JFA 17.1 (2006): 79-81.

McClelland, Bruce A. Slayers and Their Vampires: A Cultural History of Killing the Dead. “The Proliferating Undead.” Rev. by Jeffrey Andrew Weinstock. JFA 19.3 (2008): 399-414.

McCort, Jessica R. Reading in the Dark: Horror in Children’s Literature and Culture. Rev. by Anelise Farris. JFA 29.1 (2018): 105-08.

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McDonagh, Maitland. Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. Rev. by Rob Latham. JFA 22.3 (2011): 435-37.

McGowan, Todd. The Impossible David Lynch. Rev. by D. Harlan Wilson. JFA 18.2 (2007): 279-82.

McGrath, Rick, ed. Deep Ends: The J.G. Ballard Anthology 2014. Rev. by Megan Mandell. JFA 27.1 (2016): 129-32.

Mckee, Gabriel. Pink Beams of Light from the God in the Gutter: The Science-Fictional Religion of Philip K. Dick. Rev. by Everett L. Hamner. JFA 16.3 (2005): 249-52.

McMahon-Coleman, Kimberley, and Roslyn Weaver. Werewolves and Other Shapeshifters in Popular Culture: A Thematic Analysis of Recent Depictions. Rev. by Amy J. Ransom. JFA 24.2 (2013): 362-66.

McMillan, Gloria, ed. Orbiting Ray Bradbury’s Mars: Biographical, Anthropological, Literary, Scientific and Other Perspectives. Rev. by Jerry Määttä. JFA 26.2 (2015): 391-94.

McNally, David. Monsters of the Market: Zombies, Vampires, and Global Capitalism. Rev. by Jeffrey Andrew Weinstock. JFA 27.3 (2016): 494-504.

McNally, Raymond T., and Radu R. Florescu. In Search of Dr. Jekyll & Mr. Hyde. Rev. by Elizabeth Miller. JFA 12.3 (2001): 348-50.

Mead, David G. An Encyclopedia of Jack Vance, 20th-Century Science Fiction Writer. Rev. by Michael Andre-Driussi. JFA 15.3 (2004): 251-53.

Mediavilla, Cindy. Arthurian Fiction: An Annotated Bibliography. Rev. by Ann F. Howey. JFA 14.3 (2003): 367-69.

Meehan, Paul. Horror Noir: Where Cinema’s Dark Sisters Meet. Rev. by J. Robert Craig. JFA 25.1 (2014): 139-41.

Meehan, Paul. The Vampire in Science Fiction Film and Literature. Rev. by John W. Morehead. JFA 29.3 (2018): 465-68.

Meillassoux, Quentin. Science Fiction and Extro-Science Fiction. Rev. by Sean Matharoo. JFA 27.2 (2016): 345-48.

Melbye, David. Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture. Rev. by Annmarie Guzy. JFA 28.2 (2017): 307-10.

Mendlesohn, Farah. Diana Wynne Jones: Children’s Literature and the Fantastic Tradition. Rev. by Michael Levy. JFA 16.3 (2005): 253-56.

Mendlesohn, Farah. The Intergalactic Playground: A Critical Study of Children’s and Teens’ Science Fiction. Rev. by Jen Gunnels. JFA 21.2 (2010): 297-300.

Mendlesohn, Farah, ed. On Joanna Russ. Rev. by Christopher M. Sutch. JFA 21.2 (2010): 321-24.

Mendlesohn, Farah. Rhetorics of Fantasy. “Starting the Conversation.” Rev. by Paul Kincaid. JFA 20.2 (2009): 262-69.

Mendlesohn, Farah, and Edward James. A Short History of Fantasy. Rev. by Roger C. Schlobin. JFA 22.2 (2011): 292-98.

Met, Philippe. La Lettre tue: Spectre(s) de l’écrit fantastique [The Letter Kills/Silences: Spectres of Fantastic Writing]. Rev. by Amy J. Ransom. JFA 23.1 (2012): 149-53.

Miccoli, Anthony. Posthuman Suffering and the Technological Embrace. “Enter the Posthuman.” Rev. by D. Harlan Wilson. JFA 22.1 (2011): 92-99.

Michaud, Nicholas. Adventure Time and Philosophy: The Handbook for Heroes. Rev. by Justin Wigard. JFA 27.2 (2016): 379-81.

Mikkelsen, Nina. Susan Cooper. Twayne’s United States Authors Series No. 696. Rev. by Daphne Kutzer. JFA 12.1 (2001): 114-15.

Milburn, Colin. Nanovision: Engineering the Future. Rev. by Alicia Verlager. JFA 22.1 (2011): 133-36.

Miller, Cynthia J., and A. Bowdoin Van Riper. 1950s “Rocketman” TV Series and their Fans: Cadets, Rangers and Junior Space Men. Rev. by Mark Bould. JFA 24.3 (2013): 488-91.

Miller, Cynthia J., and A. Bowdoin Van Riper. Horrors of War: The Undead on the Battlefield. Rev. by Joseph Michael Sommers. JFA 28.3 (2017): 486-492.

Miller, Cynthia J., and A. Bowdoin Van Riper. The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland. Rev. by Tommy Mayberry. JFA 28.2 (2017): 315-18.

Miller, Cynthia J., and A. Bowdoin Van Riper. Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier. Rev. by Kyle Bishop. JFA 25.2-3 (2014): 402-04. [373-75]

Miller, Elizabeth, and Robert Eighteen-Bisang. Bram Stoker’s Notes for Dracula: A Facsimile Edition. Rev. by Jim Holte. JFA 21.1 (2010): 112-14.

Miller, Gerald Alva, Jr. Exploring the Limits of the Human Through Science Fiction. Rev. by Shaun Duke. JFA 26.1 (2015): 154-57.

Miñana, Rogelio. Monstruos que hablan: el discurso de la monstruosidad en Cervantes (Monsters that Speak: The Discourse of the Monstrous in Cervantes). Rev. by Javier Lorenzo. JFA 19.3 (2008): 440-43.

Mitchell, Neil. Carrie. Rev. by Hans Staats. JFA 29.3 (2018): 491-93.

Mitchell, Stephen A. Witchcraft and Magic in the Nordic Middle Ages. Rev. by Rikk Mulligan. JFA 23.1 (2012): 145-48.

Mittman, Asa Simon, and Peter J. Dendle. The Ashgate Research Companion to Monsters and the Monstrous. Rev. by T. S. Miller. JFA 24.2 (2013): 346-50.

Mohr, Dunja M. Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias. Rev. by Sherryl Vint. JFA 16.3 (2005): 257-59.

Mohr, Dunja M. Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias. Rev. by Douglas W. Texter. JFA 18.2 (2007): 270-72.

Molina-Gavilan, Yolanda. Ciencia Ficcion en Espanol: una Mitologia ante el Cambio. Rev. by Dale Knickerbocker. JFA 14.2 (2003): 283-85.

Monk, Patricia. Alien Theory: The Alien as Archetype in the Science Fiction Short Story. Rev. by Margaret McBride. JFA 18.3 (2007): 412-15.

Morehead, John W. The Supernatural Cinema of Guillermo del Toro: Critical Essays. Rev. by Jaime R. Brenes Reyes. JFA 27.3 (2016): 519-21.

Moreno Serrano, Fernando Ángel. La Ideología de Star Wars. Rev. by Cristina Pérez. JFA 29.2 (2018): 310-11.

Morey, Anne. Genre, Reception, and Adaptation in the “Twilight” Series. Rev. by Melissa A. Click. JFA 24.2 (2013): 317-20.

Morse, Donald E., ed. Anatomy of Science Fiction. Rev. by W. A. Senior. JFA 19.2 (2008): 273-78.

Moylan, Tom. Demand the Impossible: Science Fiction and the Utopian Imagination. Rev. by EL Putnam. JFA 29.3 (2018): 484-86.

Moylan, Tom. Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia. Rev. by Peter Sands. JFA 12.4 (2002): 453-55.

Moylan, Tom, and Raffaella Baccolini, eds. Utopia Method Vision: The Use Value of Social Dreaming. Rev. by Robert von der Osten. JFA 19.1 (2008): 128-31.

Muir, John Kenneth. The Encyclopedia of Superheroes on Film and Television. Rev. by P. Andrew Miller. JFA 15.2 (2005): 171-72.

Muir, John Kenneth. The Films of John Carpenter. Rev. by Dennis Etchison. JFA 13.4 (2003): 406-08.

Murphy, Graham J., and Sherryl Vint, eds. Beyond Cyberpunk: New Critical Perspectives. Rev. by Michele Braun. JFA 22.3 (2011): 399-401.

Murphy, Patrick D., ed. Staging the Impossible: The Fantastic Mode in Modern Drama. “The Play of the Critic.” Rev. by Howard Pearce. JFA 6.4 (1995): 371-75.

Murray, Paul. From the Shadow of Dracula: A Life of Bram Stoker. Rev. by Elizabeth Miller. JFA 15.4 (2004): 380-82.

Myers, Lindsay. Making the Italians: Poetics and Politics of Italian Children’s Fantasy. Rev. by Felice Italo Beneduce. JFA 24.3 (2013): 483-87.

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Nakamura, Miri. Monstrous Bodies: The Rise of the Uncanny in Modern Japan. Rev. by Kay Clopton. JFA 28.2 (2017): 301-03.

Nardo, Don. Readings on Frankenstein. Rev. by Robin Reid. JFA 12.1 (2001): 126-31.

Ndaliani, Angela. The Horror Sensorium: Media and the Senses. Rev. by Joshua Richardson. JFA 25.1 (2014): 182-85.

Nel, Philip. J. K. Rowling’s Harry Potter Novels: A Reader’s Guide. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Nevárez, Lisa, ed. The Vampire Goes to College: Essays on Teaching With the Undead. Rev. by Trevor Holmes. JFA 27.1 (2016): 118-121.

Nevins, Jess. The Encyclopedia of Fantastic Victoriana. Rev. by Kelly Searsmith. JFA 16.4 (2006): 369-73.

Newitz, Annalee. Pretend We’re Dead: Capitalist Monsters in American Culture. Rev. by Jeffrey Andrew Weinstock. JFA 18.3 (2007): 431-34.

Newman, Kim. Quatermass and the Pit. BFI Film Series. Rev. by Paul Kincaid. JFA 26.3 (2015): 546-50.

Nicolay, Theresa Freda. Tolkien and the Modernists: Literary Responses to the Dark New Days of the 20th Century. Rev. by Don Riggs. JFA 26.3 (2015): 610-13.

Nikolajeva, Maria. From Mythic to Linear: Time in Children’s Fiction. Rev. by Karen Sands O’Connor. JFA 11.3 (2000): 318-20.

Nolasco, Edgar Cézar, and Rodolfo Rorato Londero, eds. Volta ao Mundo da Ficção Científica [Around the World of Science Fiction]. Rev. by Marcello Simão Branco. JFA 20.2 (2009): 273-76.

Novoa, Marcelo, ed. Años luz: Mapa estelar de la ciencia ficción en Chile [Light Years: Star Map to Science Fiction in Chile]. Rev. by Andrea Bell. JFA 22.1 (2011): 100-03.

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O’Keefe, Deborah. Readers in Wonderland: The Liberating Worlds of Fantasy Fiction from Dorothy to Harry Potter. Rev. by Crystal Black. JFA 17.3 (2006): 307-09.

O’Keefe, Deborah. Readers in Wonderland: The Liberating Worlds of Fantasy Fiction from Dorothy to Harry Potter. Rev. by Christine Mains. JFA 17.3 (2006): 310-12.

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Ordiz, Javier, ed. Estrategias y figuraciones de lo insolito en la narrativa mexicana (siglos XIX-XXI) [Strategies of the Strange in Mexican Narrative (Nineteenth and Twentieth Centuries)]. Rev. by Bret Noble. JFA 26.3 (2015): 595-98.

Oziewicz, Marek C. Justice in Young Adult Speculative Fiction: A Cognitive Reading. Rev. by Jessica Stanley. JFA 28.1 (2017): 166-72.

Oziewicz, Marek. One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle, and Orson Scott Card. Rev. by Amie Rose Rotruck. JFA 19.2 (2008): 269-72.

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Paffenroth, Kim. Gospel of the Living Dead: George Romero’s Visions of Hell on Earth. Rev. by Jason P. Vest. JFA 17.4 (2007): 405-08.

Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Rev. by Dale Knickerbocker. JFA 23.1 (2012): 123-27.

Painter, Deborah. Forry: The Life of Forrest J Ackerman. Rev. by Matt Yockey. JFA 24.1 (2013): 159-61.

Pak, Chris. Terraforming: Ecopolitical Transformations and Environmentalism in Science Fiction. Rev. by James Hamby. JFA 28.3 (2017): 459-61.

Palmer, Paulina. Lesbian Gothic: Transgressive Fictions. Rev. by Susan Knabe. JFA 12.2 (2001): 220-22.

Palumbo, Donald E. An Asimov Companion: Characters, Places, and Terms in the Robot/Empire/Foundation Metaseries. Rev. by DonRiggs. JFA 28.3 (2017): 480-82.

Palumbo, Donald E. Chaos Theory: Asimov’s Foundations and Robots, and Herbert’s Dune: The Fractal Aesthetic of Epic Science Fiction. Rev. by Don Riggs. JFA 14.4 (2004): 494-96.

Palumbo, Donald. The Monomyth in American Science Fiction Films: 28 Visions of the Hero’s Journey. Rev. by Don R. Riggs. JFA 29.3 (2018): 487-90.

Papieau, Isabelle. Il y avait des fois, “La Belle et la Bête” : réalité et magie à l’italienne. [Once Upon a Time, “Beauty and the Beast”: Reality and Italian Magic]. Rev. by Adrion Dula. JFA 28.2 (2017): 304-06.

Parrinder, Patrick, ed. Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia. Rev. by Brooks Landon. JFA 13.2 (2002): 187-89.

Paver, Chloe E. M. Narrative and Fantasy in the Post-War German Novel: A Study of Novels by Johnson, Frisch, Wolf, Becker, and Grass. Rev. by Brian L. Harris. JFA 11.1 (2000): 103-07.

Pearson, Wendy Gay, Veronica Hollinger, and Joan Gordon, eds. Queer Universes: Sexualities in Science Fiction. Rev. by Alexis Lothian. JFA 22.3 (2011): 438-41.

Pedersen, Tara. Mermaids and the Production of Knowledge in Early Modern England. Rev. by Melissa Ridley Elmes. JFA 27.2 (2016): 321-24.

Perdigao, Lisa K., and Mark Pizzato. Death in American Texts and Performances: Corpses, Ghosts, and the Reanimated Dead. Rev. by Jen Gunnels. JFA 22.2 (2011): 270-72.

Peterson, Christopher. Kindred Specters: Death, Mourning, and American Affinity. “A Specter Is Haunting the Humanities.” Rev. by Jeffrey Andrew Weinstock. JFA 19.2 (2008): 238-45.

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Petty, Anne C. One Ring to Bind Them All: Tolkien’s Mythology. Rev. by Lori Lipoma. JFA 14.4 (2004): 489-93.

Petty, Anne C. Tolkien in the Land of Heroes: Discovering the Human Spirit. Rev. by W. A. Senior. JFA 15.3 (2004): 271-78.

Petzold, Dieter. C. S. Lewis–50 Jahre nach seinem Tod. Werk und Wirkung zwischen Huldigung und Kritik [C. S. Lewis–50 Years After his Death. Works and Influence Between Tribute and Criticism]. Rev. by Bruce Beatie. JFA 27.2 (2016): 314-17.

Picart, Caroline Joan (Kay), and Cecil Greek, eds. Monsters In and Among Us: Toward a Gothic Criminology. Rev. by Roger C. Schlobin. JFA 20.1 (2009): 144-46.

Pierson, Michele. Special Effects: Still in Search of Wonder. Rev. by Fiona Kelleghan. JFA 15.3 (2004): 257-60.

Pieters, Jurgen. Speaking with the Dead: Explorations in Literature and History. Rev. by Paul Kincaid. JFA 17.3 (2006): 294-96.

Pinsky, Michael. Future Present: Ethics and/as Science Fiction. Rev. by Fiona Kelleghan. JFA 15.1 (2004): 80-83.

Pintér, Károly. The Anatomy of Utopia: Narration, Estrangement and Ambiguity in More, Wells, Huxley and Clarke. Rev. by Paul Kincaid. JFA 22.3 (2011): 430-34.

Polcini, Valentina. Oltre la fantascienza: Paradigmi e intertestualità nella narrativa di J. G. Ballard (Beyond Science Fiction: Paradigms and Intertextuality in J. G. Ballard’s Fiction). Rev. by Salvatore Proietti. JFA 26.1 (2015): 187-90.

Poole, Benjamin. Saw. Rev. by Shannon Blake Skelton. JFA 25.2-3 (2014): 523-26. [494-97]

Pordzik, Ralph. The Quest for Postcolonial Utopia: A Comparative Literature Introduction to the Utopian Novel in the New English Literature. Rev. by David N. Samuelson. JFA 13.1 (2002): 99-103.

Porter, Jennifer E., and Darcee L. McLaren, eds. Star Trek and Sacred Ground: Explorations of Star Trek, Religion, and American Culture. Rev. by Fred D. White. JFA 11.3 (2000): 327-30.

Powell, Anna. Deleuze and Horror Film. Rev. by K. A. Laity. JFA 19.1 (2008): 119-22.

Prescott, Tara, ed.. Neil Gaiman in the 21st Century: Essays on the Novels, Children’s Stories, Online Writings, Comics, and Other Works. Rev. by Jennifer L. Miller. JFA 27.1 (2016): 137-39.

Pringle, David, et al., ed. St. James Guide to Horror, Ghost, and Gothic Writers. Rev. by Christine Mains. JFA 12.1 (2001): 119-21.

Prucher, Jeff, ed. Brave New Words: The Oxford Dictionary of Science Fiction. Rev. by Rob Latham. JFA 19.2 (2008): 257-59.

Pulham, Patricia. Art and the Transitional Object in Vernon Lee’s Supernatural Tales. Rev. by Leon Marvell. JFA 21.3 (2010): 459-63.

Pulliam, June. Monstrous Bodies: Feminine Power in Young Adult Horror Fiction. Rev. by Cait Coker. JFA 29.3 (2018): 449-52.

Pulliam, June, and Anthony J. Fonseca. Richard Matheson’s Monsters: Gender in the Stories, Scripts, Novels, and Twilight Zone Episodes. Rev. by Amy J. Ransom. JFA 27.3 (2016): 543-45.

Punter, David, ed. A Companion to the Gothic. Rev. by Robert F. Geary. JFA 11.2 (2000): 197-200.

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Raja, Masood Ashraf, Jason W. Ellis, and Swaralipi Nandi, eds. The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction. Rev. by Isiah Lavender, III. JFA 23.1 (2012): 134-37.

Rankin, Walter. Grimm Pictures: Fairy Tale Archetypes in Eight Horror and Suspense Films. Rev. by Gail de Vos. JFA 20.1 (2009): 121-25.

Ransom, Amy J. The Feminine as Fantastic in the Conte fantastique: Visions of the Other. Rev. by Christine Mains. JFA 12.1 (2001): 122-25.

Rasmussen, Randy. Psycho, The Birds, and Halloween: The Intimacy of Terror in Three Classic Films. Rev. by William Wandless. JFA 26.2 (2015): 426-28.

Rasmussen, Randy. Stanley Kubrick: Seven Films Analyzed. Rev. by Zsolt Györi. JFA 17.4 (2007): 394-97.

Rasmussen, Randy. Stanley Kubrick: Seven Films Analyzed. Rev. by Zsolt Györi. JFA 15.1 (2004): 70-72.

Rasmussen, Randy. Stanley Kubrick: Seven Films Analyzed. Rev. by Donald E. Morse. JFA 15.4 (2004): 383-85.

Redmond, Sean. Studying Blade Runner. Rev. by Kevin M. Flanagan. JFA 20.3 (2009): 425-27.

Reid, Robin Anne. Ray Bradbury: A Critical Companion. Rev. by Mickey Rubenstein. JFA 13.1 (2002): 95-98.

Reid-Pharr, Robert F. Samuel R. Delany’s Phallos: Enhanced and Revised Edition. Rev. by Pedro Ponce. JFA 29.3 (2018): 480-83.

Renzi, Thomas C. Jules Verne on Film: A Filmography of the Cinematic Adaptations of His Works, 1902 through 1997. Rev. by Tim Sullivan. JFA 13.2 (2002): 199-202.

Reyes, Xavier Aldana. Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film. Rev. by Brittany Roberts. JFA 27.1 (2016): 155-58.

Rhone, Zachary A. The Great Tower of Elfland: The Mythopoeic Worldview of J. R. R. Tolkien, C. S. Lewis, G. K. Chesterton, and George MacDonald. Rev. by James Hamby JFA 29.1 (2018): 116-18.

Riches, Simon. The Philosophy of David Cronenberg. Rev. by Trevor Cunnington. JFA 24.3 (2013): 496-99.

Rickels, Laurence A. I Think I Am: Philip K. Dick. “I Am Not Philip K. Dick.” Rev. by Jason P. Vest. JFA 23.1 (2012): 102-07.

Rickels, Laurence A. The Vampire Lectures. Rev. by Stephanie Moss. JFA 11.2 (2000): 210-13.

Riquelme, John Paul, ed. Gothic and Modernism: Essaying Dark Literary Modernity. Rev. by Markus Oppolzer. JFA 20.3 (2009): 434-36.

Roas, David. El monstruo fantástico: Visiones y perspectivas [The Fantastic Monster: Visions and Perspectives]. Rev. by Andrea Bell. JFA 28.2 (2017): 298-300.

Roas, David. Tras los liìmites de lo real: una definicioìn de lo fantaìstico [Behind the Limits of the Real]. Rev. by Juan Carlos Toledano Redondo. JFA 24.1 (2013): 152-54.

Roas, David, and Ana Casas, eds. Visiones de lo fantastico en la cultura espanola (1900-1970) [Visions of the Fantastic in Spanish Culture (1900-1970)]. Rev. by Karuna Warrier. JFA 26.2 (2015): 429-31.

Roas, David, and Patricia Garcia, eds. Visiones de lo fantástico (aproximaciones teóricas) [Visions of the Fantastic: Theoretical Approaches]. Rev. by Rudi Kraeher. JFA 26.2 (2015): 379-82.

Roas, David, and Teresa López Pellisa, eds. Visiones de lo fantástico en la cultura española (1970-2012) [Visions of the Fantastic in Spanish Culture (1970-2012)]. Rev. by Dale J. Pratt. JFA 27.1 (2016): 147-50.

Robb, Brian J. Counterfeit Worlds: Philip K. Dick on Film. Rev. by Jason P. Vest. JFA 18.3 (2007): 425-30.

Roberts, Adam. The Riddles of The Hobbit. Rev. by Don Riggs. JFA 26.1 (2015): 204-07.

Roberts, Keith. Lemady: Episodes of a Writer’s Life. Rev. by John Clute. JFA 12.1 (2001): 103-06.

Robichaud, Christopher, ed. Dungeons & Dragons and Philosophy: Read and Gain Advantage on All Wisdom Checks. Rev. by A.P. Canavan. JFA 26.3 (2015): 573-76.

Robinson, Frank M., with technical assistance from John Gunnison. Science Fiction of the 20th Century: An Illustrated History. Rev. by Gary Westfahl. JFA 11.2 (2000): 221-24.

Robinson, Orrin W. Grimm Language: Grammar, Gender and Genuineness in the Fairy Tales. Rev. by Carmen Comeaux. JFA 22.3 (2011): 408-11.

Rochelle, Warren G. Communities of the Heart: The Rhetoric of Myth in the Fiction of Ursula K. Le Guin. Rev. by Amanda Cockrell. JFA 13.4 (2003): 403-05.

Rockoff, Adam. Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986. Rev. by Shannon Blake Skelton. JFA 24.1 (2013): 142-45.

Roeper, Richard. Urban Legends: The Truth Behind All Those Deliciously Entertaining Myths. Rev. by James Kirkland. JFA 13.3 (2003): 299-308.

Roscoe, Jane, and Craig Hight. Faking It: Mock-documentary and the Subversion of Factuality. Rev. by J. Robert Craig. JFA 14.1 (2003): 106-08.

Rose, James. The Texas Chainsaw Massacre. Rev. by Joshua Richardson. JFA 25.2-3 (2014): 510. [478-81]

Rosny aîné, J.-H. Three Science Fiction Novellas: From Prehistory to the End of Mankind. Rev. by Melody Jue. JFA 24.1 (2013): 121-23.

Ross, Stephen David. Enchanting: Beyond Disenchantment. Rev. by Sandy Rankin. JFA 25.2-3 (2014): 498-501. [469-72]

Rossi, Umberto. The Twisted Worlds of Philip K. Dick: A Reading of Twenty Ontologically Uncertain Novels. Rev. by Jason P. Vest. JFA 23.1 (2012): 168-70.

Rubin, Martin. Thrillers. Rev. by Sidney Poger. JFA 11.4 (2001): 465-67.

Ruddick, Nicholas. The Fire in the Stone: Prehistoric Fiction from Charles Darwin to Jean M. Auel. Rev. by Edward James. JFA 21.3 (2010): 455-58.

Ruddick, Nicholas. H. G. Wells: Traversing Time. Rev. by W. Warren Wagar. JFA 15.2 (2005): 179-81.

Ruddick, Nicholas. The Time Machine: An Invention. Rev. by Ádám Molnár. JFA 13.1 (2002): 90-92.

Russell, Sharon A. Revisiting Stephen King: A Critical Companion. Rev. by Mary Pharr. JFA 15.3 (2004): 268-70.

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Sadowski, Greg. B. Krigstein, Vol. 1. Rev. by Thom Davidsohn. JFA 14.2 (2003): 277-79.

Saler, Michael. As If: Modern Enchantment and the Literary Prehistory of Virtual Reality. Rev. by Josh Pearson. JFA 25.2-3 (2014): 494-97. [465-68]

Salomon, Roger B. Mazes of the Serpent: An Anatomy of Horror Narrative. Rev. by Frances B. Auld. JFA 16.4 (2006): 377-79.

Samuel, Lawrence R. Supernatural America: A Cultural History. Rev. by John W. Morehead. . JFA 24.2 (2013): 351-54.

Sander, Steven M. The Philosophy of Science Fiction Film. Rev. by Michael J. Klein. JFA 20.2 (2009): 280-82.

Sanders, Joe, ed. The Sandman Papers. Rev. by Carl Boehm. JFA 17.1 (2006): 77-78.

Sandison, Alan, and Robert Dingley, eds. Histories of the Future: Studies in Fact, Fantasy and Science Fiction. Rev. by Russell Blackford. JFA 12.3 (2001): 338-40.

Sandner, David. Critical Discourses of the Fantastic, 1712-1831. Rev. by Paul Kincaid. JFA 24.3 (2013): 515-19.

Sandner, David, ed. Fantastic Literature: A Critical Reader. Rev. by Christine Mains. JFA 15.2 (2005): 168-70.

Sands, Karen, and Marietta Frank. Back in the Spaceship Again: Juvenile Science Fiction Series Since 1945. Rev. by Alisa Schreibman. JFA 11.2 (2000): 214-20.

Saxena, Vandana. The Subversive Harry Potter: Adolescent Rebellion and Containment in the J.K. Rowling Novels. Rev. by Donna S. Parsons. JFA 25.2-3 (2014): 489-93. [460-64]

Schafer, Elizabeth D. Exploring Harry Potter: Beacham’s Sourcebooks for Teaching Young Adult Fiction. Rev. by Amie Rotruck. JFA 14.3 (2003): 373-78.

Schakel, Peter J. Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds. Rev. by Amie Rotruck. JFA 15.2 (2005): 176-78.

Schmeink, Lars. Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction. Rev. by Steven Shaviro. JFA 27.3 (2016): 546-48.

Schmeink, Lars, and Astrid Böger. Collision of Realities: Establishing Research on the Fantastic in Europe. Rev. by Bruce A. Beatie. JFA 25.1 (2014): 127-30.

Schmeink, Lars, and Astrid Böger. Rev. by Gillian Polack. JFA 25.1 (2014): 131-34.

Schmid, Sonja. Im Netz der Filmgenres. “The Lord of the Rings” und die Geschichtsschreibung des Fantasygenres [Inside the Net of Film Genres. “The Lord of the Rings” and the Historiography of the Fantasy Genre]. Rev. by Simon Spiegel. JFA 27.1 (2016): 173-75.

Schmiele, Corona. Masques et métamorphoses de l’auteur dans les contes de Grimm. Pour une lecture rapprochée des textes [Masks and metamorphosis of the author in the Grimms’ tales. Towards a close reading]. Rev. by Cyrille François. JFA 28.3 (2017): 455-58.

Schneider, Susan, ed. Science Fiction and Philosophy: From Time Travel to Superintelligence. Rev. by Janani Subramanian. JFA 21.2 (2010): 317-20.

Schoenenberger, Petra. Transformations of the Supernatural:Problems of Representation in the Work of Daniel Defoe. Rev. by James Hamby. JFA 30.1 (2019): 113-15.

Secrest, Rose. Glorificemus: A Study of the Fiction of Walter M. Miller, Jr. Rev. by Lewis Fried. JFA 13.4 (2003): 409-11.

Sederholm, Carl H. and Jeffrey Andrew Weinstock. The Age of Lovecraft. Rev. by Antonio Alcalá. JFA 27.1 (2016): 505-08.

Seed, David. Future Wars: The Anticipations and the Fears. Rev. by Justin Raymond. JFA 25.1 (2014): 178-81.

Seed, David. Under the Shadow: The Atomic Bomb and Cold War Narratives. Rev. by Brent Bellamy. JFA 25.2-3 (2014): 398-401. [369-72]

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Shaw, Debra Bonita. Women, Science and Fiction: The Frankenstein Inheritance. Rev. by Sheryl N. Hamilton. JFA 12.4 (2002): 443-46.

Sheehan, Bill. At the Foot of the Story Tree: An Inquiry into the Fiction of Peter Straub. Rev. by Gary K. Wolfe. JFA 13.1 (2002): 104-06.

Shershow, Scott Cutler, and Scott Michaelsen. The Love of Ruins: Letters on Lovecraft. Rev. by Greg Conley. JFA 29.1 (2018): 94-97.

Shipka, Danny. Perverse Titillation: The Exploitation Cinema of Italy, Spain, and France, 1960-1980. Rev. by Rob Latham. JFA 24.3 (2013): 528-30.

Shippey, Tom. J. R. R. Tolkien: Author of the Century. Rev. by W. A. Senior. JFA 12.2 (2001): 234-36.

Silva, Cesar, and Marcello Simão Branco, eds. Anuário Brasileiro de Literatura Fantástica: Ficção científica, fantasia e horror no Brasil em 2005. Rev. by Rachel Haywood Ferreira. JFA 19.3 (2008): 422-25.

Silverman, Eric J., and Robert Arp. The Ultimate Game of Thrones and Philosophy: You Think or You Die. Rev. by Don Riggs. JFA 28.3 (2017): 483-85.

Simmons, Amy. Antichrist. Rev. by Simon Bacon. JFA 28.1 (2017): 123-28.

Sims, Christopher A. Tech Anxiety: Artificial Intelligence and Ontological Awakening in Four Science Fiction Novels. Rev. by Matthew Fesnak. JFA 29.3 (2018): 458-61.

Sipos, Thomas M. Horror Film Aesthetics: Creating the Visual Language of Fear. Rev. by Perin Gurel. JFA 24.2 (2013): 329-31.

Skal, David J. Screams of Reason: Mad Science and Modern Culture. Rev. by Stefan Dziemianowicz. JFA 11.2 (2000): 190-93.

Slusser, George, Paul Alkon, Roger Gaillard, and Danièle Chatelain, eds. Transformations of Utopia: Changing Views of the Perfect Society. Rev. by Arthur O. Lewis. JFA 13.3 (2003): 309-12.

Smajic, Srdjan. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Rev. by Jeffrey Andrew Weinstock. JFA 23.1 (2012): 176-78.

Smith, Andrew. The Ghost Story 1840-1920: A Cultural History. Rev. by Rikk Mulligan. JFA 25.1 (2014): 166-69.

Smith, Andrew, and William Hughes, eds. The Victorian Gothic: An Edinburgh Companion. Rev. by Carol Senf. JFA 26.2 (2015): 419-21.

Smith, Angela M. Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema. Rev. by Kathryn Allan. JFA 24.2 (2013): 310-13.

Smith, Don G. H. G. Wells on Film: The Utopian Nightmare. Rev. by John Huntington. JFA 13.3 (2003): 296-98.

Smith, Gary A. Uneasy Dreams: The Golden Age of British Horror Films, 1956-1976. Rev. by Richard D. Erlich. JFA 11.1 (2000): 100-02.

Smith, Jad. Alfred Bester. Rev. by Dennis Wilson Wise. JFA 28.2 (2017): 332-35.

Smith, Jad. John Brunner. Rev. by Gerry Canavan. JFA 25.2-3 (2014): 409-12. [380-83]

Smith, Mark Eddy. Tolkien’s Ordinary Virtues: Exploring the Spiritual Themes of Lord of the Rings. Rev. by Lori Lipoma. JFA 14.4 (2004): 489-93.

Soister, John T. Of Gods and Monsters: A Critical Guide to Universal Studios’ Science Fiction, Horror and Mystery Films, 1929-1939. Rev. by Sybil Cummings. JFA 13.2 (2002): 203-05.

Spooner, Catherine. Fashioning Gothic Bodies. Rev. by Christine Ferguson. JFA 18.1 (2007): 391-93.

Spooner, Catherine. Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic. Rev. by Stephanie Flint. JFA 29.1 (2018): 109-12.

Squires, Claire. Philip Pullman, Master Storyteller: A Guide to the Worlds of His Dark Materials. Rev. by Kelly Searsmith. JFA 18.3 (2007): 419-21.

Stableford, Brian. Historical Dictionary of Fantasy Literature. Rev. by Christine Mains. JFA 17.1 (2006): 93-96.

Stableford, Brian. Historical Dictionary of Science Fiction Literature. Rev. by Rob Latham. JFA 18.1 (2007): 126-29.

Stableford, Brian. Science Fact and Science Fiction: An Encyclopedia. Rev. by Rob Latham. JFA 18.1 (2007): 126-29.

Stallings, Billee J., and Jo-An J. Evans. Murray Leinster: The Life and Works. Rev. by Amy J. Ransom. JFA 24.3 (2013): 546-49.

Stanley, John. Revenge of the Creature Features Movie Guide. “Nirvana for Sleaze-lovers.” Rev. by Stefan Dziemianowicz. JFA 2.2 (1989): 110-11.

Stanton, Michael. Hobbits, Elves, and Wizards: Exploring the Wonders and Worlds of J. R. R. Tolkien’s The Lord of the Rings. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Steele, Valerie, and Jennifer Park. Gothic: Dark Glamour. Rev. by Carol Siegel. JFA 20.2 (2009): 294-96.

Steiger, Brad. The Werewolf Book: The Encyclopedia of Shape-Shifting Beings. Rev. by Sarah L. Higley. JFA 11.3 (2000): 314-17.

Steinberg, Marc. Anime’s Media Mix: Franchising Toys and Characters in Japan. Rev. by Hongmei Li. JFA 25.1 (2014): 162-65.

Sterling, Bruce. Tomorrow Now: Envisioning the Next Fifty Years. Rev. by Lynette Aspey. JFA 14.4 (2004): 478-81.

Stewart, Bruce, ed. That Other World. Rev. by C. W. Sullivan, III. JFA 11.4 (2001): 476-78.

Stocker, Jack H., ed. Chemistry and Science Fiction. Rev. by Neal Gerlach. JFA 12.1 (2001): 107-10.

Stoppe, Sebastian. Unterwegs zu neuen Welten. Star Trek als politische Utopie [En route to New Worlds: Star Trek as Political Utopia]. Rev. by Simon Spiegel. JFA 26.3 (2015): 617-20.

Stover, Leon. Science Fiction from Wells to Heinlein. Rev. by Sybil Cummings. JFA 14.1 (2003): 112-15.

Straub, Peter, ed. Conjunctions 39. Rev. by Joe Sutliff Sanders. JFA 14.1 (2003): 130-33.

Strecher, Matthew Carl. The Forbidden Worlds of Haruki Murakami. Rev. by Pedro Ponce. JFA 27.2 (2016): 360-63.

Strengell, Heidi. Dissecting Stephen King: From the Gothic to Literary Naturalism. Rev. by Mary Pharr. JFA 17.2 (2006): 185-88.

Sturch, Richard. Four Christian Fantasists: A Study of the Fantastic Writings of George MacDonald, Charles Williams, C. S. Lewis, and J. R. R. Tolkien. Rev. by Carol A. Leibiger. JFA 15.3 (2004): 261-64.

Sugars, Cynthia. Canadian Gothic: Literature, History and the Spectre of Self-Invention. Rev. by Amy J. Ransom. JFA 26.1 (2015): 195-99.

Sugars, Cynthia, and Gerry Turcotte, eds. Unsettled Remains: Canadian Literature and the Postcolonial Gothic. Rev. by Amy J. Ransom. JFA 23.1 (2012): 154-57.

Sullivan, C. W., III. Heinlein’s Juvenile Novels: A Cultural Destiny. Rev. by A. Bowdoin Van Riper. JFA 24.2 (2013): 377-80.

Sullivan, Ceri, and Barbara White, eds. Writing and Fantasy. Rev. by Nina Auerbach. JFA 11.3 (2000): 307-10.

Suvin, Darko. Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Rev. by Paul Kincaid. JFA 22.2 (2011): 277-81.

Szendy, Peter. Kant in the Land of Extraterrestrials: Cosmopolitical Philosofictions. Rev. by Jerome Winter. JFA 26.1 (2015): 214.

Szumskyj, Benjamin, ed. Dissecting Hannibal Lecter: Essays on the Novels of Thomas Harris. Rev. by Jason P. Vest. JFA 20.2 (2009): 297-300.

Szumskyj, Benjamin, ed. Fritz Leiber: Critical Essays. Rev. by Gerald M. Adair. JFA 19.2 (2008): 246-49.

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Tally, Jr., Robert T. Utopia in the Age of Globalization: Space, Representation, and the World-System. Rev. by Irene Morrison. JFA 26.1 (2015): 184-86.

Telotte, J. P., ed. The Essential Science Fiction Television Reader. Rev. by Melissa Colleen Stevenson. JFA 20.3 (2009): 441-44.

Telotte, J. P. The Mouse Machine: Disney and Technology. Rev. by Moira O’Keeffe. JFA 20.1 (2009): 140-43.

Telotte, J. P. Science Fiction TV. Rev. by Amy J. Ransom. JFA 26.3 (2015): 599-602.

Thaler, Ingrid. Black Atlantic Speculative Fictions: Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson. Rev. by Monty Vierra. JFA 23.1 (2012): 171-75.

Thompson, Kristin. The Frodo Franchise: The Lord of the Rings and Modern Hollywood. Rev. by Carol A. Leibiger. JFA 19.3 (2008): 436-39.

Thomson, Douglass H., Jack G. Voller, and Frederick S. Frank, eds. Gothic Writers: A Critical and Bibliographical Guide. Rev. by Mary Pharr. JFA 15.3 (2004): 265-67.

Tibbetts, John C. The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. Rev. by Joshua Richardson. JFA 24.2 (2013): 367-70.

Topping, Keith. Slayer: An Expanded and Updated Unofficial and Unauthorised Guide to Buffy the Vampire Slayer. Rev. by Fiona Kelleghan. JFA 15.1 (2004): 73-79.

Touponce, William F. Lord Dunsany, H. P. Lovecraft, and Ray Bradbury: Spectral Journeys. Rev. by Timothy Evans. JFA 26.1 (2015): 158-61.

Towlson, Jon. Subversive Horror Cinema: Countercultural Messages from Frankenstein to the Present. Rev. by Joshua Richardson. JFA 26.3 (2015): 606-09.

Tresca, Michael J. The Evolution of Fantasy Role-Playing Games. Rev. by Richard W. Forest. JFA 22.3 (2011): 412-17.

Troy, Kathryn. The Specter of the Indian: Race, Gender, and Ghosts in American Séances, 1848-1890. Rev. by Madeleine Reddon. JFA 29.2 (2018): 316-18.

Turner, Peter. The Blair Witch Project. Rev. by Simon Bacon. JFA 28.1 (2017): 123-28.

Tyler, Tom. CIFERAE: A Bestiary in Five Fingers. Rev. by Sha LaBare. JFA 24.2 (2013): 338-41.

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Uhrig, Meike, Vera Cuntz-Leng, and Luzie Kollinger. Wissen in der Fantastik: Vom Suchen, Verstehen und Teilen [Knowledge in the Fantastic: Searching, Understanding, and Sharing]. Rev. by Suzanne Arthur. JFA 29.2 (2018): 289-92.

Urakova, Alexandra, ed. Deciphering Poe: Subtexts, Context, Subversive Meanings. Rev. by Cristina Pérez Arranz. JFA 27.1 (2016): 140-43.

Urban, Misty, Deva F. Kemmis, and Melissa R. Elmes. Melusine’s Footprint: Tracing the Legacy of a Medieval Myth. Rev. by Sylvia Veronica Morin. JFA 30.1 (2019): 124-28.

Urzaiz, Eduardo. Eugenia: A Fictional Sketch of Future Customs: A Critical Edition. Rev. by Miguel García. JFA 27.2 (2016): 325-27.

Uszkalo, Kirsten C. Bewitched and Bedeviled: A Cognitive Approach to Embodiment in Early English Possession. Rev. by J.H. Roberts. JFA 28.1 (2017): 157-59.

Uther, Hans-Jörg. Handbuch zu den “Kinder- und Hausmärchen” der Brüder Grimm. Enstehung–Wirkung–Interpretation. 2 vollständig überarbeitete Auflage [Handbook of the Grimm Brothers’ ‘Children’s and House Tales.’ Development–Effects–Interpretation. 2nd Complete Revised Edition]. Rev. by Bruce Beatie. JFA 27.3 (2016): 512-14.

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Vacarro, Christopher. The Body in Tolkien’s Legendarium: Essays on Middle-earth Corporeality. Rev. by April Durham. JFA 29.3 (2018): 453-57.

van Bebber, Jorg. Dawn of an Evil Millenium: Horror/Kultur im neuen Jahrtausend. Rev. by Daniel Ilger. JFA 25.2-3 (2014): 442-45. [413-16]

van Elferen, Isabella. Gothic Music: The Sounds of the Uncanny. Rev. by Hans Staats. JFA 25.2-3 (2014): 531-33. [502-04]

Vander Ploeg, Scott. An Instinct for Dragons. Rev. by David E. Jones. JFA 15.1 (2004): 84-86.

Vas-Deyres, Natacha. Ces français qui ont écrit demain. Utopie, anticipation et science-fiction au XXe siècle [Those Frenchmen Who Wrote Tomorrow: Utopia, Anticipation and Science Fiction in the Twentieth Century]. Rev. by Amy J. Ransom. JFA 25.2-3 (2014): 502-06. [473-77]

Vas-Deyres, Natacha, Patrick Bergeron, Patrick Guay, Florence Plet-Nicolas, and Danièle André, eds. Les Dieux cachés de la science-fiction française et francophone (1950-2010) [The Hidden Gods of French and Francophone SF, 1950-2010]. Rev. by Sophie Beaulé. JFA 26.3 (2015): 562-66.

Verne, Jules. The Begum’s Millions. Trans. Stanford L. Luce. Ed. Arthur B. Evans. Rev. by Sherryl Vint. JFA 19.1 (2008): 139-42.

Verne, Jules. The Kip Brothers. Ed. Arthur Evans. Rev. by Janice M. Bogstad. JFA 20.3 (2009): 417-21.

Verne, Jules. The Mysterious Island. Ed. Arthur Evans. Rev. by Janice M. Bogstad. JFA 20.3 (2009): 417-21.

Vest, Jason P. The Postmodern Humanism of Philip K. Dick. Rev. by Ritch Calvin. JFA 22.1 (2011): 104-07.

Vint, Sherryl. Animal Alterity: Science Fiction and the Question of the Animal. Rev. by Sha LaBare. JFA 25.1 (2014): 159-61.

Vint, Sherryl. Bodies of Tomorrow: Technology, Subjectivity, Science Fiction. Rev. by Karen Hellekson. JFA 17.4 (2007): 123-25.

von der Lippe, Anya Heise. Posthuman Gothic. JFA 29.1 (2018): 101-04.

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Waller, Alison. Constructing Adolescence in Fantastic Realism. Rev. by Andrew M. Butler. JFA 22.2 (2011): 263-66.

Warner, Marina. Monsters of Our Own Making: The Peculiar Pleasures of Fear. Rev. by Michael Levy. JFA 18.2 (2007): 251-53.

Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-first Century. Rev. by Sanna Lehtonen. JFA 20.1 (2009): 137-39.

Watkiss, Joanne. Gothic Contemporaries: The Haunted Text. Rev. by Brittany Warman. JFA 26.1 (2015): 211-13.

Watt, James. Contesting the Gothic: Fiction, Genre, and Cultural Conflict, 1764-1832. Rev. by Robert F. Geary. JFA 11.2 (2000): 194-96.

Watt, James. Contesting the Gothic: Fiction, Genre, and Cultural Conflict, 1764-1832. Rev. by Jeffrey Andrew Weinstock. JFA 12.2 (2001): 237-42.

Webb, Caroline. Fantasy and the Real World in British Children’s Literature. Rev. by Melanie Griffin. JFA 26.3 (2015): 581-83.

Wegner, Phillip E. Shockwaves of Possibility: Essays on Science Fiction, Globalization, and Utopia. Rev. by Matthew Stoddard. JFA 27.1 (2016): 176-79.

Weinstock, Jeffrey Andrew. The Ashgate Encyclopedia of Literary and Cinematic Monsters. Rev. by Jim Holte. JFA 26.1 (2015): 167-69.

Weinstock, Jeffrey Andrew. The Cambridge Companion to American Gothic. Rev. by Rebecca Janicker.  JFA 29.2 (2018): 299-301.

Weinstock, Jeffrey Andrew. Charles Brockden Brown. Rev. by Michael Cody. JFA 24.1 (2013): 101-03.

Weinstock, Jeffrey Andrew. The Rocky Horror Picture Show. Rev. by D. Harlan Wilson. JFA 19.1 (2008): 146-49.

Weinstock, Jeffrey Andrew. Scare Tactics: Supernatural Fiction by American Women. Rev. by Kathy Davis Patterson. JFA 20.2 (2009): 290-93.

Weinstock, Jeffrey Andrew. The Vampire Film: Undead Cinema. Rev. by Jim Holte. JFA 24.1 (2013): 116-20.

Weinstock, Jeffrey Andrew. The Works of Tim Burton: Margins to Mainstream. Rev. by John W. Morehead. JFA 27.2 (2016): 349-51.

Wells, H. G. The First Men in the Moon: A Critical Text of the 1901 London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 6, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. The Invisible Man: A Grotesque Romance: A Critical Text of the 1897 New York First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 3, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. The Island of Doctor Moreau: A Critical Text of the 1896 London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 2, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. Man Who Could Work Miracles: A Critical Text of the 1936 New York First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 8, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. The Sea Lady: A Tissue of Moonshine: A Critical Text of the 1902 London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 7, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. Star Begotten: A Biological Fantasia. Ed. John Huntington. Rev. by Jason P. Vest. JFA 18.2 (2007): 275-78.

Wells, H. G. Things to Come: A Critical Text of the 1935 London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 9, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. The Time Machine: An Invention: A Critical Text of the 1895 London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 1, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices, The Annotated H.G. Wells 4, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Wells, H. G. When the Sleeper Wakes: A Critical Text of the 1899 New York and London First Edition, with an Introduction and Appendices, The Annotated H.G. Wells 5, edited by Leon Stover. Rev. by Paul Kincaid. JFA 24.1 (2013): 83-96.

Westfahl, Gary. Hugo Gernsback and the Century of Science Fiction. Rev. by Farah Mendlesohn. JFA 19.1 (2008): 123-27.

Westfahl, Gary. Hugo Gernsback and the Century of Science Fiction. Rev. by Curtis S. Shumaker. JFA 19.1 (2008): 135-38.

Westfahl, Gary. Pioneers of Wonder: Conversations with the Founders of Science Fiction. Rev. by Eric Leif Davin. JFA 15.1 (2004): 87-90.

Westfahl, Gary. Science Fiction, Children’s Literature, and Popular Culture: Coming of Age in Fantasyland. Rev. by Fiona Kelleghan. JFA 13.1 (2002): 86-89.

Westfahl, Gary, ed. Space and Beyond: The Frontier Theme in Science Fiction. Rev. by Art Lewis. JFA 11.4 (2001): 458-60.

Westfahl, Gary. The Spacesuit Film: A History, 1918-1969. Rev. by Don Riggs. JFA 24.2 (2013): 371-73.

Westfahl, Gary. William Gibson. Rev. by Lars Schmeinck. JFA 25.2-3 (2014): 515-18. [486-89]

Westfahl, Gary, and George Slusser, eds. Nursery Realms: Children in the Worlds of Science Fiction, Fantasy, and Horror. “Nursery Realms.” Rev. by Joe Sutliff Sanders. JFA 10.4 (2000): 449-51.

West-Sooby, John, ed. Nowhere Is Perfect: French and Francophone Utopias/Dystopias. Rev. by Monty Vierra. JFA 21.3 (2010): 486-91.

White, Donna. A Century of Welsh Myth in Children’s Literature. Rev. by Michael-Anne Rubenstein. JFA 11.4 (2001): 472-75.

White, Donna R. Dancing with Dragons: Ursula K. Le Guin and the Critics. Rev. by Richard C. West. JFA 11.3 (2000): 325-26.

Whitley, David. The Idea of Nature in Disney Animation. Rev. by Jim Holte. JFA 20.3 (2009): 431-33.

Wiebe, Paul M. Myth as Genre in British Romantic Poetry. Rev. by Robert O’Connor. JFA 12.3 (2001): 351-53.

Wieser, Veronika, Christian Zolles, Catherine Freik, Martin Zolles, and Leopold Schlöndorff, eds. Abendländische Apokalyptik: Kompendium zur Genealogie der Endzeit [Occidental Apocalypticism: Compendium of the Genealogy of End Times]. Rev. by Corinn Lenhardt. JFA 26.2 (2015): 383-86.

Wilcox, Rhonda V., and David Lavery, eds. Fighting the Forces: What’s at Stake in Buffy the Vampire Slayer. Rev. by Fiona Kelleghan. JFA 15.1 (2004): 73-79.

Williams, Mark. Fiery Shapes: Celestial Portents and Astrology in Ireland and Wales 700–1700. Rev. by Don Riggs. JFA 23.1 (2012): 158-60.

Williams, Wes. Monsters and their Meanings in Early Modern Culture: Mighty Magic. Rev. by Kristen McDermott. JFA 24.1 (2013): 131-34.

Williamson, Milly. The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. Rev. by Kelly A. O’Connor-Salomon. JFA 19.2 (2008): 265-68.

Wilson, D. Harlan. Technologized Desire: Selfhood and the Body in Postcapitalist Science Fiction. Rev. by A. K. Drees. JFA 20.3 (2009): 422-24.

Wilson, D. Harlan. They Live. Rev. by Tim Bryant. JFA 27.1 (2016): 96-98.

Winnington, G. Peter. Peake Studies. “Peake Studies Review.” Rev. by Brian Attebery. JFA 3.4 (1994): 151-52.

Winter, Douglas E. Clive Barker: The Dark Fantastic. Rev. by Fiona Kelleghan. JFA 13.1 (2002): 82-85.

Wisker, Gina. Horror Fiction: An Introduction. Rev. by Roger C. Schlobin. JFA 18.3 (2007): 416-18.

Wisker, Gina. Margaret Atwood: An Introduction to Critical Views of Her Fiction. Rev. by Anya Heise-von der Lippe. JFA 24.3 (2013): 506-10.

Wittkower, D. E. Philip K. Dick and Philosophy: Do Androids Have Kindred Spirits? Rev. by Sándor Klapcsik. JFA 25.1 (2014): 155-58.

Wolfe, Gary K. Soundings: Reviews 1992-1996. Rev. by Michael Levy. JFA 17.1 (2006): 82-84.

Wolfe, Gary K., and Ellen Weil. Harlan Ellison: The Edge of Forever. Rev. by Joseph Francavilla. JFA 14.4 (2004): 486-88.

Wolfe, Judith, and Brendan Wolfe. C. S. Lewis’s Perelandra: Reshaping the Image of the Cosmos. Rev. by Carl Kears. JFA 26.3 (2015): 584-87.

Wood, Rocky. A Literary Stephen King Companion. Rev. by Angela Harrison. JFA 24.1 (2013): 112-15.

Woodard, Ben. Slime Dynamics: Generation, Mutation, and the Creep of Life. Rev. by Jeffrey Weinstock. JFA 25.1 (2014): 107-22.

Wright, Angela. Mary Shelley. Rev. by Cait Coker. JFA 29.2 (2018): 293-95.

Wyndham, John, pseud. Plan for Chaos: The Prequel to The Day of the Triffids. Rev. by Roger C. Schlobin. JFA 21.2 (2010): 314-16.

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Y

Yanarella, Ernest J. The Cross, the Plow and the Skyline: Contemporary Science Fiction and the Ecological Imagination. Rev. by Stefan Ekman. JFA 14.2 (2003): 280-82.

Yi, Dongshin. A Genealogy of Cyborgothic: Aesthetics and Ethics in the Age of Posthumanism. Rev. by Jonathan Smith. JFA 22.2 (2011): 303-05.

Yoke, Carl B., and Carol L. Robinson, eds. The Cultural Influences of William Gibson, the “Father” of Cyberpunk Science Fiction: Critical and Interpretive Essays. Rev. by Graham J. Murphy. JFA 21.3 (2010): 464-67.

Yoshida, Morio, and Ichiyanagi Hirotaka, eds. The Current Status of Horror Japonesque (Horâ Japonesque no Genzai). Rev. by Nakamura Miri. JFA 17.3 (2006): 300-03.

Young, Francis. English Catholics and the Supernatural, 1553-1829. Rev. by Kristen McDermott. JFA 25.2-3 (2014): 461-64. [432-35]

Young, Helen. Race and Popular Fantasy Literature: Habits of Whiteness. Rev. by Marek C. Oziewicz. JFA 27.2 (2016): 356-359.

Yuen, Wong Kin, Gary Westfahl, and Amy Kit-sze Chan, eds. World Weavers: Globalization, Science Fiction, and the Cybernetic Revolution. Rev. by Jason P. Vest. JFA 18.1 (2007): 137-40.

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Zeuschner, Robert B. Edgar Rice Burroughs: The Exhaustive Scholar’s and Collector’s Descriptive Bibliography of American Periodical, Hardcover, Paperback, and Reprint Editions. Rev. by Gary Westfahl. JFA 11.4 (2001): 479-83.

Zipes, Jack. The Irresistible Fairy Tale: The Cultural and Social History of a Genre. Rev. by Jeana Jorgensen. JFA 25.1 (2014): 148-50.

Zlosnik, Sue. Patrick McGrath (Gothic Authors: Critical Revisions). Rev. by Sean Moreland. JFA 26.1 (2015): 181-83.